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The Voice of the Heart
The profoundly creative works of Mervyn Peake have fascinated readers for decades. His Gormenghast sequence of novels, recently serialized to great acclaim by the BBC, stands as one of the great imaginative accomplishments of twentieth-century literature. In The Voice of the Heart, G. Peter Winnington, the world’s foremost expert on Peake, explores his subject’s well-known fiction alongside the poetry, plays, and illustrations for which Peake is equally lauded. He traces recurrent motifs through Peake’s works and examines in detail his long-neglected play, The Wit to Woo. Through close readings of all these elements of Peake’s oeuvre, Winnington ultimately offers unparalleled insight into one of British literature’s most vibrant imaginations.
Codename TREASURE
This is the first biography of an intrepid young French woman, Lily Sergueiew, who led an adventurous life and became famous as one of the five D-Day spies. In 1939, her bicycle ride from Paris to Saigon was interrupted by the outbreak of war. Disgusted by the Fall of France in 1940, she took the courageous decision to personally help the Allies drive the Nazis out of France: she would get the Abwehr to train her as a spy and have herself sent to England. Once there, she would betray the Nazis and place herself at the disposal of the Allies. It took three emotionally exhausting years to achieve this. She arrived in England just in time to become TREASURE, one of the five spies who misled the...
Complete Nonsense
'Nonsense', wrote Mervyn Peake, 'can take you by the hand and lead you nowhere. It's magic.' Peake (1911-68) is one of the great English nonsense poets, in the tradition of Lewis Carroll and Edward Lear. His verses lead the reader into places where cause is cut free of effect and language takes on a giddy life of its own. Malicious bowler hats threaten their owners, a cake is chased across an ocean by a rakish knife, aunts become flatfish or live on sphagnum moss. Fully annotated, with a detailed introduction, Complete Nonsense contains all the poems and illustrations from Peake's Book of Nonsense (1972), with forty unpublished poems discovered in manuscripts and thirty from uncollected sour...
Miracle Enough
To mark the centenary of Mervyn Peake's birth, the Sussex Centre for Folklore, Fairy Tales and Fantasy (University of Chichester) organized an international conference in July 2011 entitled ""Mervyn Peake and the Fantasy Tradition."" Papers were presented by scholars, artists, and writers from all over the world, and here we have a selection of them. No other comparable collection of essays on Peake has ever been published. The contributors take a wide variety of approaches to Peake's work - ...
The Structures of the Life-world
The Structures of the Life-World is the final focus of twenty-seven years of Alfred Schutz's labor, encompassing the fruits of his work between 1932 and his death in 1959. This book represents Schutz's seminal attempt to achieve a comprehensive grasp of the nature of social reality. Here he integrates his theory of relevance with his analysis of social structures. Thomas Luckmann, a former student of Schutz's, completed the manuscript for publication after Schutz's untimely death.
The World of Languages and Literatures
This book offers contemporary perspectives on different registers of instruction, media language, the effectiveness of a multi-literacies program for introducing English as a Foreign Language, promoting religious tolerance through literature and music, teaching drama, intercultural communication, gender studies and literature studies. By using contemporary research methods, the contributors here offer insights into the ways in which the world of languages and literatures changes and evolves to face the constant challenges resulting from new instructional practices and research investigations, allowing educators, researchers and students alike to keep up with, and stay current in, all areas relating to language and literature. These illuminating essays highlight the dynamic global prism through which contemporary scholars view these issues and surpass any strict set of rules, which would otherwise lead them to ignore the ever-shifting changes in language and literature and the accompanying cultural spaces and realities.
Apocalypse in British Art and Visual Culture in the Early Twentieth Century
This book is the first substantial study of the presence and relationship with the concepts of apocalypse, eschatology, and millennium in modern British art from 1914 to 1945, addressing how and why practitioners in both religious and secular spheres turned to the subjects. The volume examines British art and visual culture’s relationship with the then-contemporary anxieties and hopes regarding the orientation of society and culture, arguing that there is an acute relationship to the particular forms of cultural discourse of eschatology, apocalypse, and millennium. Chapters identify the continued relevance of religion and religious themes in British art during the period, and demonstrate t...
Mervyn Peake's Vast Alchemies
Peter Winnington follows Peake's life from his birth in China through his student years and a sojourn in an artists' colony on Sark, his marriage and his frustrating years as a soldier when he wished to be a war artist. Yet the 1940s, marked by a traumatic visit to newly liberated Belsen in 1945, were his most productive years. From the middle of the 1950s Parkinson's disease gradually prevented him from working and led to his premature death in 1968. --Book Jacket.
Titus Groan
'Gormenghast is, to my mind and to my taste, a perfect creation' Neil Gaiman Welcome to the world of Gormenghast, the classic fantasy series from the imagination of Mervyn Peake As the first novel opens, Titus, heir to Lord Sepulchrave, has just been born: he stands to inherit the miles of rambling stone and mortar that stand for Gormenghast Castle. Inside, all events are predetermined by a complex ritual, lost in history, understood only by Sourdust, Lord of the Library. There are tears and strange laughter; fierce births and deaths beneath umbrageous ceilings; dreams and violence and disenchantment contained within a labyrinth of stone. 'A gorgeous volcanic eruption... A work of extraordinary imagination' New Yorker
