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This book examines the highly ambivalent implications and effects of anti-elitism. It draws on this theme as a cross-cutting entry point to provide transdisciplinary analysis of current conjunctures and their contradictions, drawing on examples from popular culture and media, politics, fashion, labour and spatial arrangements. Using the toolboxes of media and discourse analysis, hegemony theory, ethnography, critical social psychology and cultural studies more broadly, the book surveys and theorizes the forms, the implications and the ambiguities and limits of anti-elitist formations in different parts of the world. Anti-elitist sentiments colour the contemporary political conjuncture as muc...
In recent years digital technology has made available an inconceivably vast archive of old media. Images of the past--accessed with the touch of a finger--are now intertwined with those of the present, raising questions about how visual culture affects our relationship with history and memory. This collection of new essays contributes to a growing debate about how the past and its media are appropriated in the modern world. Focusing on a range of visual cultures, the essays explore the intersection of film, television, online and print media and visual art--platforms whose boundaries are increasingly hard to define--and the various ways we engage the past in an environment saturated with the imagery of previous eras. Topics include period screen fiction, nonfiction media histories and memories, cinematic nostalgia and recycling, and the media as both purveyors and carriers of memory.
This book provides an innovative analysis of the survival movie genre from an Orthodox Christian anthropological perspective. Grounded in the Orthodox tradition, the approach builds from the first chapter of Genesis where man is described as made in the ‘image’ and after the ‘likeness’ of God. It offers a nuanced theological exploration of the concept of the survival movie and examines a number of significant cinematic creations, illustrating how issues of survival intersect romantic, Western, science fiction and war films. The author reflects on how survival movies offer a path for the study of human nature given they depict people in crisis situations where they may reveal their true characters. As well as discussing the role of a ‘limit situation’ as a narrative element, the book highlights the spiritual aspect of survival and points to the common hope in survival movies for something more than biological survival. It is valuable reading for scholars working in the field of religion and film.
For more than two centuries, Kentucky women have fought for the right to vote, own property, control their wages, and be safe at home and in the workplace. Tragically, many of these women's voices have been silenced by abuse and violence. In Violence against Women in Kentucky: A History of U.S. and State Legislative Reform, Carol E. Jordan chronicles the stories of those who have led the legislative fight for the last four decades to protect women from domestic violence, rape, stalking, and related crimes. The story of Kentucky's legislative reforms is a history of substantial toil, optimism, advocacy, and personal sacrifice by those who proposed the change. This compelling narrative illustr...
Analysing the representation of youth crime and justice-involved children in popular fictional films, this book explores how what we see on screen contributes to the perceptions of youth justice in society, policy, and practice. Putting forward the argument that fictional representations have a real-world impact on the opportunities available to children, each chapter in the book focuses on a different genre or type of film and considers the ways in which justice-involved children have been demonised, stereotyped, and harmed by their portrayal on the big screen. From James Dean and the birth of “monstrous youth” in Rebel Without A Cause to the current, more nuanced portrayals as seen in ...
Editorial Rev. Gavan Jennings In Passing: Miles Davis and the God Question Michael Kirke In 2021, go to Joseph! Rev. Donncha Ó hAodha The morality of Covid-19 vaccines Dr Angelo Bottone Walker Percy’s Prescient Dystopia review by Collin Slowey Dominion review by Bishop Robert Barron When Bishops Meet review by James Campbell SJ Burning Heresies review by Margaret Hickey The Age of Paradise review by James Bradshaw Hillbilly Elegy review by Alysse ElHage
Examining representations of cars and bicycles in American science fiction from the late nineteenth century to the present day, Futuristic Cars and Space Bicycles argues that science fiction by and large perceives the car as anything but a marvelous invention of modernity. Rather, the genre often scorns and ridicules the automobile and instead promotes more sustainable, more benign, more restrained technologies of movement such as the bicycle.