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The first ever biography of the late Ian Hendry tells the story of a great actor destroyed by his own demons. The original star of The Avengers, Ian went on to give iconic performances in films such as Live Now Pay Later, The Hill and Get Carter and TV series such as The Lotus Eaters. Hailed by John Nettles as a ruined genius and by Brian Clemens as Britain's greatest actor, this is a touching story of an outstandingly talented star dogged by tragedy.
Two Against the Underworld brings together eight years of research to tell the story of The Avengers from both sides of the camera. It has now been further revised following the recovery of the episode Tunnel of Fear. The authors lift the lid on all 26 Series 1 episodes. Comprehensive chapters detail the narratives in extended synopsis form, as well as the production, transmission and reception of each episode, and the talented personnel who made them. The creation of The Avengers, Ian Hendry's departure, the series' destiny and the mystery of the missing episodes are explored in a series of essays, each of which has been revised. Avengers writer Roger Marshall and Neil Hendry both contribute forewords to this volume. The book also boasts black-and-white illustrations by Shaqui Le Vesconte and 70 pages of appendices that deal in depth with the unproduced episodes of Series 1, Keel and Steed's further adventures in the comic strip The Drug Pedlar and the novel Too Many Targets, and much more.
Download PDF for free from: http://martenscentre.eu/publications/dealing-rising-power-turkeys-transformation-and-its-implications-eu Turkey's growing assertiveness on the international stage, difficulties with EU accession, rapidly rising economy, and the long and controversial reign of the Justice and Development Party (AKP) are all necessitating a need for analysis. The present study of the Centre for European Studies presents two papers which look at Turkey and the AKP from different perspectives. Svante Cornell's paper argues that AKP has moved away from democratic reforms and that Turkey's 'zero problems with the neighbours' approach to international relations has failed. Gerald Knaus maintains that the AKP and the EU's influence on Turkey have effected radical changes in the balance of power between the military and civilian actors, thus bringing Turkey somewhat closer to Western democratic standards. Both authors advocate continued EU engagement with Turkey, irrespective of the progress of accession negotiations.
Once hailed by John Osborne as 'the greatest actor since Brando', latterly known as a ruined genius whose unpredictable, hellraising behaviour was legendary, Nicol Williamson always went his own way. Openly dismissive of 'technical' actors, or others who played The Bard as if 'their finger was up their arse', Williamson tore up the rule book to deliver a fast-talking canon of Shakespearean heroes, with portrayals marked by gut-wrenching passion. According to one co-star, Williamson was like a tornado on stage – 'he felt he was paddling for his life'. Fiercely uncompromising, choosy about the roles he accepted, contemptuous of the 'suits' who made money from artists, and a perfectionist who never accepted second best from himself or others, Nicol sometimes alienated those around him. But even his detractors still acknowledge his brilliance. After an extraordinary career on both stage and screen, Williamson was burnt out as an actor by the age of 60. Yet, as Gabriel Hershman explains in this authorised biography, a premature end was perhaps inevitable for an actor who always went the extra mile in every performance.
The first biography of a brilliant, mercurial actor, who was a genuine '60s superstar
Cinema, MD follows the intersection of medicine and film and how filmmakers wrote a history of medicine over time, analyzing not only changing practices, changing morals, and changing expectations but also medical stereotypes, medical activism, and violations of patients' integrity and autonomy. Examining over 400 films with medical themes over a century of cinema, this book establishes the cultural, medical, and historical importance of the artform.
'Hershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat.' - Kathryn Hughes, Mail on Sunday He was a Salford-born, homework-hating bookie's son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more. Gabriel Hershman's colourful and riveting account of Finney's life and work, which draws on interviews with many of his directors and co-stars, examines how one of Britain's greatest actors built a glittering career without sacrificing his integrity.
'A sense of delight permeates Gyles Brandreth's John Gielgud: An Actor's Life ... Brandreth combines neat reportage, deft evocation and lovely tales about a man he knew and relished.' – The Times 'A delightful memoir which tells you all you need to know and collects all the anecdotes.' – Daily Mail John Gielgud was born in April 1904. When he died in May 2000, he was honoured as 'the giant of twentieth-century theatre'. In this updated, acclaimed biography, Gyles Brandreth draws from over thirty years of conversations with Gielgud to tell the extraordinary story of a unique actor, film star, director and raconteur. In 1921 Gielgud made his first appearance at the Old Vic in London and th...
In late autumn 1968, Dorian Bond was tasked with travelling to Yugoslavia to deliver cigars and film stock to the legendary Hollywood director Orson Welles. The pair soon struck up an unlikely friendship, and Welles offered Bond the role of his personal assistant – as well as a part in his next movie. No formal education could prepare him for the journey that would ensue. This fascinating memoir follows Welles and Bond across Europe during the late 1960s as they visit beautiful cities, stay at luxury hotels, and reminisce about Winston Churchill and Franklin Roosevelt, among others. It is filled with Welles' characteristic acerbic wit – featuring tales about famous movie stars such as Laurence Olivier, Marlene Dietrich and Steve McQueen – and is a fresh insight into both the man and his film-making. Set against the backdrop of the student riots of '68, the Vietnam War, the Manson killings, the rise of Roman Polanski, the Iron Curtain, and Richard Nixon's presidency, Me and Mr Welles is a unique look at both a turbulent time and one of cinema's most charismatic characters.
"Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes."--Publisher description.