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Herald of a future third age (status) for mankind, the medieval abbot Joachim of Fiore (d. 1202) attracted and affected many individuals from Dante to Columbus. This book concentrates on the beginning of the story: it proves Joachim intended that he and his own order of monks, the Florensians, were to initiate the beginning of the third age. Using a variety of documents, Stephen Wessley uncovers Joachim's motivations when he broke away from the Cistercian monks to found his own reformed monastic group. Joachim's intended role for his Florensian monks, to be initiators of the new age, Wessley argues, was preserved by them well after Joachim's death. Drawing on manuscript evidence, the author traces this Florensian ideology through a period of major crises in the order to its appropriation by Franciscans.
The Italian Renaissance was a period of intense cultural transformations when the ancient world was being rediscovered and a New World had been literally discovered. Between the thirteenth and the seventeenth centuries, traditional beliefs were being challenged as people across the Italian Peninsula explored new ways of thinking about religion, politics, and society and introduced startling innovations in the arts. This book contains more than hundred selections of primary sources—the historian’s raw material in the form of memoirs, letters, treatises, sermons, stories, poems, drawings, paintings, and sculpture. Here are eyewitness accounts of cold-blooded murders, lavish court pageants,...
-Published to accompany the exhibition Visions of Paradise, The National Gallery, London, 4 November 2015--14 February 2016---Colophon.
Joseph P. Laycock tells the story of Veronica Lueken, a Catholic housewife in Bayside, Queens, New York, who began receiving visions of the Virgin Mary in 1968. Lueken relayed some 300 messages from Mary, Jesus, and other heavenly personages over three decades and inspired followers who continue to promote her message today.
Proposing an original and important re-conceptualization of Italian Renaissance drama, Kristin Phillips-Court here explores how the intertextuality of major works of Italian dramatic literature is not only poetic but also figurative. She argues that not only did the painterly gaze, so prevalent in fifteenth- and sixteenth-century devotional art, portraiture, and visual allegory, inform humanistic theories, practices and themes, it also led prominent Italian intellectuals to write visually evocative works of dramatic literature whose topical plots and structures provide only a fraction of their cultural significance. Through a combination of interpretive literary criticism, art historical ana...
After the landmark work of E. P. Sanders, the task of rightly accounting for Paul's relationship to Judaism has dominated the last forty years of Pauline scholarship. Pitre, Barber, and Kincaid argue that Paul is best viewed as a new covenant Jew, a designation that allows the apostle to be fully Jewish, yet in a manner centered on the person and work of Jesus the Messiah. This new covenant Judaism provides the key that unlocks the door to many of the difficult aspects of Pauline theology. Paul, a New Covenant Jew is a rigorous, yet accessible overview of Pauline theology intended for ecumenical audiences. In particular, it aims to be the most useful and up to date text on Paul for Catholic Seminarians. The book engages the best recent scholarship on Paul from both Protestant and Catholic interpreters and serves as a launching point for ongoing Protestant-Catholic dialogue.
St. Birgitta of Sweden (d. 1373) is one of the most celebrated female visionaries and authors of the Middle Ages and a central figure in the history of late-medieval religion. An aristocratic widow, Birgitta left her native country in 1349 and settled in Rome, where she established herself as an outspoken critic of the Avignon Papacy and an advocate of spiritual and ecclesiastical reform. Birgitta founded a new monastic order, and her major work, The Heavenly Book of Revelations, circulated widely in a variety of monastic, reformist, and intellectual milieus following her death. This volume offers an introduction to the saint and the reception of her work written by experts from various disciplines. In addition to acquainting the reader with the state of the scholarship, the study also presents fresh interpretations and new perspectives on Birgitta and the sources for her life and writings. Contributors: Roger Andersson, Nirit Ben-Aryeh Debby, Unn Falkeid, Anna Fredriksson, Birgitta Fritz, Ann M. Hutchison, F. Thomas Luongo, Maria H. Oen, Anders Piltz, and Pavlína Rychterová.
Often treated as background figures throughout their history, Italian women of the lower and working classes have always struggled and toiled alongside men, and this did not change following emigration to America. Through numerous oral history narratives, Farms, Factories, and Families documents the rich history of Italian American working women in Connecticut. As farming women, they could keep up with any man. As entrepreneurs, they started successful businesses. They joined men on production lines in Connecticut's factories and sweatshops, and through the strength of the neighborhood networks they created, they played a crucial role in union organizing. Empowered as foreladies, union offic...
Over the course of several decades, missiologist George Hunsberger has written numerous essays on crucial themes for the church’s recovery of its missional identity and practice. The Story That Chooses Us brings these essays together for the first time. The book as a whole presents a composite sense of the missional identity and faithful witness to which the church is called in contemporary Western society. Hunsberger engages with well-known missiologist Lesslie Newbigin throughout his work as he carefully discerns biblical and theological roots for a contemporary vision of missional theology. The recurring themes in Hunsberger’s essays provide both theological mooring and practical guidance for churches following Christ on the missional path.