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Have you ever wondered why the entire earth operates on a seven-day cycle? Have you thought about how even some of the smallest animals seem to follow a weekly schedule? This is NOT a coincidence. Our amazing God, having created this world in seven days, has implanted in living things a very tiny yet powerful gland that transfers information within our bodies—or even between species—by biochemical, neurological, or photonic means. The pineal gland is the rhythm-maker of our bodies and is a testament to the Sabbath created by God in Eden. This seal of our Creator is non-changing and anchored in time. As you explore the various aspects of these biological rhythms in humans, animals, birds,...
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Frontiers in Oncology is delighted to present the Methods in series of article collections. Methods in Surgical Oncology will publish high-quality methodical studies on key topics in the field. It aims to highlight recent advances in the field, whilst emphasizing important directions and new possibilities for future inquiries. The Methods in Surgical Oncology collection aims to highlight the latest experimental techniques and methods used to investigate fundamental questions in Surgical Oncology. Review Articles or Opinion Articles on methodologies or applications including the advantages and limitations of each are welcome. This Research Topic includes technologies and up-to-date methods which help aim to help advance science.
Who are the familiar spirits of classical culture and what is their relationship to Christian demons? In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, semi-gods, and spiritual creatures, including the gods of the household, the lares and penates.But with In the Company of Demons, the world’s leading demonologist Armando Maggi argues that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies. Maggi leads us straight to the heart of what Italian Renaissance culture thought familiar spirits were. Through close readings of Giovan Francesc...
In 1970s Italy, after the decline of the Spaghetti Western, crime films became the most popular, profitable and controversial genre. In a country plagued with violence, political tensions and armed struggle, these films managed to capture the anxiety and anger of the times in their tales of tough cops, ruthless criminals and urban paranoia. Recent years have seen renewed critical interest in the genre, thanks in part to such illustrious fans as Quentin Tarantino. This book examines all of the 220+ crime films produced in Italy between 1968 and 1980, the period when the genre first appeared and grew to its peak. Entries include a complete cast and crew list, home video releases, a plot summary and the author's own analysis. Excerpts from a variety of sources are included: academic texts, contemporary reviews, and interviews with filmmakers, scriptwriters and actors. There are many onset stills and film posters.
Nuovo bullettino di archeologia cristiana