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John Currin
John Currin's paintings sit at the crossroads where Old Master painting technique and 20th-century kitsch collide. His figurative paintings mix humour with traditional painterly skills and have earned him comparisons with artists ranging from Breugel to Rockwell. 1989.
John Currin
Along with an insightful new essay, this beautiful book features over forty-five striking color reproductions of John Currin’s most recent paintings, spanning from 2011 to 2015. At once highly seductive and deeply perplexing, John Currin’s paintings draw inspiration from such disparate areas as Old Master portraits, pinups, pornography, and B-movies. Consistent throughout his oeuvre, however, is his search for the point at which the beautiful and the grotesque hold each other in perfect balance, and this new book from Gagosian Gallery demonstrates just that. In his most recent work, Currin layers each canvas with multiple scenes, creating paintings within paintings. He paints idealized yet challengingly perverse images of women, from lusty nymphs and dour matrons to more ethereal feminine prototypes. While his eroticized subjects often exist at odds with the popular dialogue and politics of contemporary art, they entice viewers, and are reproduced here in stunning detail.
Michael Heizer
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Avedon: Women
This book accompanies the Fall 2013 exhibition of Richard Avedon's photography to be held at Gagosian Gallery Beverly Hills. Over his sixty-year career, photographer Richard Avedon was renowned for his distinctive, transformative eye. Women were often his subject, through his fashion work for Harper's Bazaar and Vogue and in his portraiture of both the famous and the unknown. What might have been pictured as prosaic or unattractive through another photographer's lens was presented by Avedon as unconventional, surprising, and sometimes revelatory. Through approximately 120 images, Avedon: Women explores Avedon's unique artistic perspective. The book includes essays by Joan Juliet Buck and Abigail Solomon-Godeau. -Dynamic unbound format available in three colorful translucent plastic covers, each with a unique image. -32 b&w contact prints from the Avedon archives, many previously unpublished -26 color images- two reproductions of vintage tear sheets and 24 rarely seen color transparencies from the Avedon archives -1 double gatefold, removable from layouts -4 Vellum Overlay spreads
Cézanne's Gravity
A transformative study, freeing the artist from outdated art historical narratives and revealing his work as newly strange again Cézanne’s Gravity is an ambitious reassessment of the paintings of Paul Cézanne (1839–1906). Whereas previous studies have often looked at the artist’s work for its influence on his successors and on the development of abstraction, Carol Armstrong untethers it from this timeline, examining Cézanne’s painting as a phenomenological and intellectual endeavor. Armstrong uses an interdisciplinary approach to analyze Cézanne’s work, pairing the painter with artists and thinkers who came after him, including Roger Fry, Virginia Woolf, Albert Einstein, Mauric...
A Dictionary of the Avant-Gardes
A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.
Metrics of Modernity
In this vivid portrait of the art world of 1950s Turkey, Sarah-Neel Smith offers a new framework for analyzing global modernisms of the twentieth century: economic development. After World War II, a cohort of influential Turkish modernists built a new art scene in Istanbul and Ankara. The entrepreneurial female gallerist Adalet Cimcoz, the art critic (and future prime minister) Bülent Ecevit, and artists like Aliye Berger, Füreya Koral, and Bedri Rahmi Eyüboğlu were not only focused on aesthetics. On the canvas, in criticism, and in the gallery, these cultural pioneers also grappled with economic questions—attempting to transform their country from a “developing nation” into a major player in the global markets of the postwar period. Smith’s book publishes landmark works of Turkish modernism for the first time, along with an innovative array of sources—from gossip columns to economic theory—to reveal the art world as a key site for the articulation of Turkish nationhood at midcentury.
The Female Secession
Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna’s “female Secession” created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between “art” and “craft,” “decorative” and “profound,” and “masculine” and “feminine” in art. Tracing the history of the women’s art movement in Secessionist Vienna—from its origins in 1897, at the Women’s Academy, to the Association of Austr...
Italy and the Ecological Imagination: Ecocritical Theories and Practices
What can Italy teach us about our relationships with the nonhuman world in the current socio-environmental crisis? 'Italy and the Ecological Imagination: Ecocritical Theories and Practices' focuses on how Italian writers, activists, visual artists, and philosophers engage with real and fictional environments and how their engagements reflect, critique, and animate the approach that Italian culture has had toward the physical environment and its ecology since late antiquity. Through a comparative and interdisciplinary approach, the essays collected in this volume explore topics including climate change, environmental justice, animal ethics, and socio-environmental degradation to provide a cog...
