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We are pleased to offer a limited quantity of signed copies of Daido Moriyama's Journey for Something (the unsigned trade edition is now sold out). Moriyama first attracted international attention in the 1970s, with his gritty, black-and-white photographs of Shinjuku, a bustling area of Tokyo. Published for a spring 2012 exhibition at Galerie Alex Daniels-Reflex, Amsterdam, and with more than 230 large-scale images, Journey for Something offers an exciting overview of Moriyama's new work, as well as his classic images and some never-before-seen photographs that have been carefully selected by the artist for this volume. Many of Moriyama's photographs are shot with a hand-held camera, at times through a window or from across the street. Comprising an assortment of playful and almost surrealist images reproduced in large format, Journey for Something follows Moriyama from Tokyo to Osaka, from shimmering rows of nightclubs to shoes dangling from a telephone wire and a man running naked through the streets.
Arguably Japan's greatest living photographer and the author of over 425 books to date, Nobuyoshi Araki (born 1940) is internationally known for his erotic images of tied-up, beautiful nude women. It Was Once a Paradise presents Araki's most recent photographic series, 40 diptychs that offer a meditation on sex and grief. Each diptych couples a new color photograph of a semi-nude woman in bondage with a black-and-white still life from his personal diary, a somber image taken on his Tokyo balcony: the site of his former private paradise haunted by his deceased wife Yoko and his cat Chiro. Nostalgic ruins contrast with erotic hope, forming a contrast that is echoed in the packaging of the book, which has been designed to be read in either direction, and comes with a choice of two different dust jackets.
For Miles Aldridge Acid Candy' refers to the hard boiled sweets he had as a kid. But  this spirit is also found in the photographic dreams he constructs using a bright, almost plastic, coloured palette in order to illustrate fashions for potential buyers. In admiration, David Lynch describes his work as a colour coordinated, graphically pure, hard-edged reality'. Here some 70 full page, colour photographs created for leading fashion magazines such as Vogue, Numero and Paradis are presented.
Europe's most infamous city remains one of its most popular, and not without good reason: between its world-class art museums, its eminently wanderable canals and its coffee shops that don't exactly specialize in coffee, its variety is glorious indeed. However, with one of Europe's more forward-thinking cultural scenes and striking new architectural developments in IJburg and the Bijlmermeer, there's much more here to enjoy than the clichés; written, researched and edited entirely by locals, the Time Out Amsterdam guide will tell travelers all about it. Highlights: Amsterdam after dark: the best restaurants, bars and nightclubs in the city, but also the ones to avoid Mini-guides to the city's most notable works of art, and where to find them An unmatched section on the city's modern-day cultural scene: galleries and performance art, classical music and theater An in-depth look at the city's stunning new urban architecture Trips Beyond Amsterdam, to the flower auction in Aalsmeer, the cheese market at Gouda and the windmills of Alblasserdam, and also to the fizzing modern city of Rotterdam
A masterful new monograph from one of the most revered and highly collectible contemporary art photographers in the world Roger Ballen is one of the most original image makers of the twenty-first century. Asylum of the Birds showcases his iconic photographs, which were all taken entirely within the confines of a house in a Johannesburg suburb, the location of which remains a tightly guarded secret. The inhabitants of the house, both people and animals, and most notably the ever-present birds, are the cast who perform within a sculptural and decorated theatrical interior that the author creates and orchestrates. The resulting images are compelling and dynamic, existing somewhere between still life and portrait. They are richly layered with graffiti, drawings, animals, and found objects. In a world where photographers seek to avoid definition, Roger Ballen is a true original who not only defies genres, but has defined his own artistic space as well.
Over almost 30 years, Roger Ballen has produced some of the most compelling and thought-provoking images in contemporary photography. His work is unflinching, confronting and always deeply moving. With its roots in the photo-documentary tradition, Ballen's approach has expanded to become an unforgettable vision of the human condition.
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In this book Miles Aldridge delves into his Polaroid archive -- venturing back through twenty years of enhancing, modifying, reassembling and discarding. Many of these Polaroids were intentionally annotated or accidentally damaged while working on different shoots. Liberated from their original context, the images take on a life of their own by evolving into surreal and cinematic narratives. By enlarging and manipulating the Polaroids in unpredictable ways, Aldridge devotes himself to each Polaroid as an independent image while simultaneously learning to appreciate the importance of flaws and imperfections. This book provides us with a rare insight into a photographer's odyssey; an unfolding journey of the imagination in parallel to his working process.
"... collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of thirty years by New York collector W. M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert Mapplethorpe, and Robert Frank as well as lesser-known artists and vernacular images." --book jacket.
Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein's seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It bec...