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Propaganda
This collection of photographs comes from a great Soviet archive and presents a view of an almost alien culture from the last century. Now we are more knowing we understand that every picture bears a message, that propaganda is ever present and that history is but a fiction.
Daido Moriyama
Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein's seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It bec...
Lucian Freud: A Life
A breathtaking visual biography of Freud, told through his own words, unpublished private photographs, and painted portraits This unprecedented look at the private life of Lucian Freud begins with childhood snapshots and ends with rarely seen photographs made in his studio in the last weeks of his life. In between, the life of one of the most important artists of the twentieth and twenty-first centuries is vividly documented - through family photos, in images of the painter in his studio with some of his most celebrated sitters, and in portraits by his peers, first among them Francis Bacon.
Sun and Moon
A spectacular pictorial history of astronomical exploration, for anyone who has gazed at the sky and wondered what lies beyond From the beginning of time, human beings have looked up at the stars and speculated on other worlds. Published to mark the fiftieth anniversary of the first moon landing, Sun and Moon tells the story of that burning human need to comprehend the universe, from Neolithic observatories that mark the solstice to the latest space telescopes. It shows, for the first time, how the development of photography and cartography – the means of documenting other worlds – is linked indelibly to the charting of the heavens, from the first image on a glass plate to the Hubble Space Telescope.
Hiro
A comprehensive collection of the beautiful photographs of the legendary and influential fashion photographer Hiro offers a wide-ranging look at his unforgettable work, which encompasses starting fashion images, an Apollo 11 photo, a portrait of the Rolling Stones, and more.
Beyond Japan
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Theatre of War
At the beginning of the Second World War the Ministry of Information, through the advice of Kenneth Clark, commissioned Cecil Beaton to photograph the Home Front.Theatre of War is published in conjunction with the Imperial War Museum on the occasion of a major exhibition.
Antony Gormley
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Daido Moriyama
The direct sequel to a classic photobook. An exceptional selection of photographs from Daido Moriyama's seminal magazine publication from 2017 to today.
Ancient and Modern
The appreciation of Eggleston's work has come a long way since his pioneering 1976 exhibition, William Eggleston's Guide, at New York's Museum of Modern Art. He has been called the 'father of colour photography' and since the 1990s he is widely regarded as the leading and most influential colour photographer of the twentieth century. Ancient and Modern is a collection of photographs chosen from Eggleston's earliest photographs taken in the American South, Africa and England. The photographs depict subjects and objects from everyday life and it is Eggleston's unique ability to find beauty, and striking displays of colour, in ordinary scenes. Mark Holborn, in his illuminating introduction, writes about the dark undercurrent of these mundane scenes as viewed through Eggleston's lens: '[Eggleston's] subjects are, on the surface, the ordinary inhabitants and environs of suburban Memphis and Mississippi - friends, family, barbecues, back yards, a tricycle and the clutter of the mundane. The normality of these subjects is deceptive, for behind the images there is a sense of lurking danger.'
