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Tàpies
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Seasons
Poetry. "A series of meditations following the sun, SEASONS arrives in mesmerizing waves of observation and reflection. The blue depths of Adnan's inquiry--into the nature of Being, Time, knowledge itself--crest moment upon moment of quiet revelation, as the passions of history, myth, today, and yesterday rage and subside beneath her watchful eye. 'To think is not to contemplate, it's to witness.' So stanzas wash upon the page's horizon, ever moving toward the mind's encounters with the world. Intimate with ephemera, alert to what's hidden, SEASONS seeks the universe within and beyond the spirit's changeable weather, finding everywhere its center."--Megan Pruiett
Howardena Pindell
Adeze Wilford, Alex Poots, Ashley James, Hans Ulrich Obrist, Howardena Pindell
Günther Förg
Cet ouvrage accompagne l'exposition présentée à la Galerie Lelong, Paris, du 2 avril au 16 mai 2015.00Günther Förg travaillait volontiers par séries, à partir d'une idée formelle. De 1988 à 1990, il a réalisé un ensemble de grandes peintures verticales sur papier d'environ 260 x 150 cm. Ce sont des oeuvres d'une composition très subtile mais très simple : deux champs de couleurs confrontés. La finesse, la grâce, la légèreté de la main de Günther Förg est ici plus présente que jamais pour faire tenir en suspens ce "presque rien" lumineux et inspiré.
Otherworlds
A collection of essays exploring the work of US artists Nancy Spero and Kiki Smith.
An Incomplete Archive of Activist Art
The two-volume publication reflects on the Rubin Foundation's art and social justice initiatives over the last six years, including thematic essays, roundtable discussions, and newly commissioned artworks. An Incomplete Archive of Artistic Activism is a publication in two volumes, documenting the Rubin Foundation's art and social justice mission, serving as a critical and educational resource for those interested in activist art practices and philanthropy. One volume highlights the emergence of a cultural shift, addressing art's role in the formation of both community and justice, featuring essays by Andre Lepecki and Lucy Lippard, thematic roundtables with cultural producers, and newly comm...
Antoni Tàpies
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William Kentridge, Nalini Malani
This comparative study of contemporary artists William Kentridge (born 1955) and Nalini Malani (born 1946) focuses on their use of the shadow play as a medium of memory. Independently of each other, both artists have deployed this centuries-old performative art form in works that are widely considered to be highpoints of their respective careers--works such as Kentridge's installation The Refusal of Timeand Malani's video/shadow play In Search of Vanished Blood. Both artists belong to a generation whose experience is shaped by colonialism and decolonization; their works reflect on the long-term traces of historical trauma, partition and apartheid, always in aesthetically complex forms (rather than in documentary or agit-prop style). In creative dialogue with modernism and the historical avant-garde, they provide persuasive examples of a new negotiation between aesthetics, ethics and politics.
Jannis Kounellis
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