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Art from Chilean artists. Includes an essay, checklist, artist biographies, and illustrations of some of the works.
Este volumen estudia la pintura en la Escuela de Arte de la Pontificia Universidad Católica de Chile, reuniendo el trabajo de más de 100 artistas. Se enumeran exposiciones en las que participaron y distinciones obtenidas, información acompañada por imágenes de sus obras. También se incluyen siete capítulos que contienen investigaciones organizadas a partir de dos criterios: uno temporal y otro conceptual. Las problemáticas detectadas por los siete investigadores organizan a los artistas presentados, que son agrupados según ejes articuladores de sentido presentes en sus obras.
A brief review of the exhibitions held at the non-profit art gallery that has become a pioneering landmark of public art space in Santiago. This single volume encompass all the exhibitions held in 2010.
A large general bibliography is included."--BOOK JACKET.
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"Ivan Navarro (Santiago, Chile, 1972) belongs to a generation of artists raised under the Pinochet dictatorship, an experience that shaped their artistic vision and gave rise to a new cultural expression." "His work springs from a singular investigation of the potentials of energy: by elaborating luminous constructions, and employing the principles of energy conversion, Navarro creates functional sculptures and objects of great visual impact and structural complexity." "Among his best known works are the Electric Chairs made of fluorescent tubes, generating objects of impressive design whose fragility and high voltage undermine the seductive qualities of ergonomic perfection." "Navarro's art reflects on Minimalism and transcends its pure formalism by addressing social and political issues, with an underlying critique of power and authority." --Book Jacket.