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Sacred Possessions
This innovative study explores how interpretations of religious art change when it is moved into a secular context.
Beholding Violence in Medieval and Early Modern Europe
Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the...
Equine Medicine and Popular Romance in Late Medieval England
Equine Medicine and Popular Romance in Late Medieval England explores a seldom-studied trove of English veterinary manuals, illuminating how the daily care of horses they describe reshapes our understanding of equine representation in the popular romance of late medieval England. A saint removes a horse’s leg the more easily to shoe him; a wild horse transforms spur wounds into the self-healing practice of bleeding; a messenger calculates time through his horse’s body. Such are the rich and conflicted visions of horse/human connection in the period. Exploring this imagined relation, Francine McGregor reveals a cultural undercurrent in which medieval England is so reliant on equine bodies that human anxieties, desires, and very orientation in daily life are often figured through them. This book illuminates the complex and contradictory yearnings shaping medieval perceptions of the horse, the self, and the identities born of their affinity.
Revolts and Political Violence in Early Modern Imagery
The first in-depth analysis of how early modern people produced and consumed images of revolts and political violence, drawing on evidence from Russia, China, Hungary, Portugal, Germany, North America and other regions.
Display of Art in the Roman Palace, 1550–1750
This book explores the principles of the display of art in the magnificent Roman palaces of the early modern period, focusing attention on how the parts function to convey multiple artistic, social, and political messages, all within a splendid environment that provided a model for aristocratic residences throughout Europe. Many of the objects exhibited in museums today once graced the interior of a Roman Baroque palazzo or a setting inspired by one. In fact, the very convention of a paintings gallery— the mainstay of museums—traces its ancestry to prototypes in the palaces of Rome. Inside Roman palaces, the display of art was calibrated to an increasingly accentuated dynamism of social ...
Archaeologies of Memory
A unique collection of newly written essays by archaeologistsworking in a variety of contexts and geographical areas,Archaeologies of Memory is a groundbreaking text thatpresents a coherent framework for the study of memory in pastsocieties. Serves as an accessible introduction to central issues in thestudy of memory, including authority and identity, and the rolememory plays in their creation and transformation. Presents a collection of newly commissioned essays that providea coherent framework for the study of memory in pastsocieties. Brings together essays from both anthropological and classicalarchaeologists. Includes contributions drawn from a variety of cultures andtime periods, including New Kingdom Egypt and the prehistoricAmerican Southwest.
The Barber of Damascus
This book is about a barber, Shihab al-Din Ahmad Ibn Budayr, who shaved and coiffed, and probably circumcised and healed, in Damascus in the 18th century. The barber may have been a "nobody," but he wrote a history book, a record of the events that took place in his city during his lifetime. Dana Sajdi investigates the significance of this book, and in examining the life and work of Ibn Budayr, uncovers the emergence of a larger trend of history writing by unusual authors—people outside the learned establishment—and a new phenomenon: nouveau literacy. The Barber of Damascus offers the first full-length microhistory of an individual commoner in Ottoman and Islamic history. Contributing to Ottoman popular history, Arabic historiography, and the little-studied cultural history of the 18th century Levant, the volume also examines the reception of the barber's book a century later to explore connections between the 18th and the late 19th centuries and illuminates new paths leading to the Nahda, the Arab Renaissance.
Byzantine Art and Diplomacy in an Age of Decline
The Late Byzantine period (1261–1453) is marked by a paradoxical discrepancy between economic weakness and cultural strength. The apparent enigma can be resolved by recognizing that later Byzantine diplomatic strategies, despite or because of diminishing political advantage, relied on an increasingly desirable cultural and artistic heritage. This book reassesses the role of the visual arts in this era by examining the imperial image and the gift as reconceived in the final two centuries of the Byzantine Empire. In particular it traces a series of luxury objects created specifically for diplomatic exchange with such courts as Genoa, Paris and Moscow alongside key examples of imperial imagery and ritual. By questioning how political decline refigured the visual culture of empire, Cecily J. Hilsdale offers a more nuanced and dynamic account of medieval cultural exchange that considers the temporal dimensions of power and the changing fates of empires.
Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas
A trans-cultural collection of studies on early modern imagery of the phenomena of pain and suffering and viewers’ potential responses. Authors variously consider pain and suffering as somatic, emotional, and psychological experiences.
Monumental Sounds
In Monumental Sounds, Matthew G. Shoaf examines interactions between sight and hearing in spectacular church decoration in Italy between 1260 and 1320. In this "age of vision," authorities' concerns about whether and how worshipers listened to sacred speech spurred Giotto and other artists to reconfigure sacred stories to activate listening and ultimately bypass phenomenal experience for attitudes of inner receptivity. New naturalistic styles served that work, prompting viewers to give voice to depicted speech and guiding them toward spiritually fruitful auditory discipline. This study reimagines narrative pictures as site-specific extensions of a cultural system that made listening a meaningful practice. Close reading of religious texts, poetry, and art historiography augments Shoaf's novel approach to pictorial naturalism and art's multisensorial dimensions. This book has received the Weiss-Brown Publication Subvention Award from the Newberry Library. The award supports the publication of outstanding works of scholarship that cover European civilization before 1700 in the areas of music, theater, French or Italian literature, or cultural studies.
