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Claude Viallat. Ediz. italiana e inglese
In the beginning of the 1960s, in the stimulating and lively cultural climate of France, Claude Viallat (Nimes, 1936) was moved to revisit the genealogy of abstract painting and the seduction of Art Informel. Without neglecting Cezanne and Matisse, he identified a primitive form with distinct and inimitable characteristics, essential and almost hypnotic. Abstraction first appeared in his work during his formative years at the Ecole des Beaux-Arts in Paris, when he regularly visited Raymond Leguelt's studio and where he met, among others, Robert Rauschenberg, Jackson Pollock, Sam Francis and Morris Louis. It was in this period that he definitively abandoned verticality; no longer using an eas...
Contemporary Artists: L-Z
Arranged alphabetically from Magdalena Abakanowicz to Tadaaki Kuwayama, this volume provides a biography of the artist, a selected list of exhibitions, a list of public collections that include work by the artist, and more.
My 30 Yaers in Galleria Fumagalli
The volume documents the exhibition cycle 'MY30YEARS - Coherency in Diversity' conceived and edited in 2021 by Lóránd Hegyi to pay homage to the thirty-year career of the gallery owner Annamaria Maggi. The exhibition cycle, consisting of eight exhibitions, involved twelve artists, including masters and younger artists, followed or represented by the Fumagalli Gallery. For every exhibition Lóránd Hegyi has put three artists in dialogue on some specific themes, in order to bring out new connections and analogies between their different artistic researches, avoiding any conceptual imposition and leaving the works all their uniqueness and autonomy of meaning. 00Exhibition: Galleria Fumagalli, Milan, Italy (26.02.-29.04.2022).
Fukushi Ito - In the space and in the time
Fukushi Ito vive e lavora tra Italia e Giappone, ma per lei appartenere a due mondi lontani non significa rinuncia a qualcosa o crisi di identità; al contrario è il privilegio di poter avere due patrie,di poter raggiungere una sintesi superiore, perché come artista asiatica, e in particolare giapponese, l’identità è un fattore non statico: ma ciò che è stato, ciò che è, ciò che potrà essere. Il lavoro di Fukushi Ito è un infinito esercizio poetico, un esplorare il mondo per trovare la sintesi artistica che definisca la presenza delle cose nello spazio e nel tempo. Scrive Roberto Mastroianni: “Fukushi Ito si interroga, vede le dinamiche con cui la realtà prende forma e decide di riproporle artisticamente”.
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