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Matric Rage
The eagerly-awaited debut from one of the South Africa’s most exciting young poets, Matric Rage is Genna Gardini’s reckoning with youth, womanhood and mortality. With hyper-literate, humorous and often heartbreaking poems, Gardini signals a wind change in South African poetry – where the personal is not just political, but polemical, too. In sickness and sex, misogyny and manners, this is a collection that, above all, showcases a powerful writer coming unapologetically into her own.
Acts of Transgression
Fifteen writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa, focusing on a wide range of perspectives, personalities and theoretical concerns Contemporary South African society is chronologically ‘post’ apartheid, but it continues to grapple with material redress, land redistribution and systemic racism. Acts of Transgression represents the complexity of this moment in the rich potential of a performative art form that transcends disciplinary boundaries and aesthetic conventions. The contributors, who are all significantly involved in the discipline of performance art, probe its intersection with crisis and socio-...
Collaborative Conversations
To celebrate Mothertongue's 21st anniversary, Collaborative Conversations weaves together the reflections of a group of artists, scholars and writers who have journeyed with the organisation over the last two decades. Since its inception in 2000 with What the Water Gave Me, The Mothertongue Project has used participatory, integrated arts methods to create theatrical works that strive for personal and collective dialogue and healing in South Africa. In poetry, scholarly writing and transcribed oral conversations, the contributors now think and feel their way through the aspirations and achievements - and the alchemy - of The Mothertongue Project's work. Accompanied by photographs of performances from across the 21 years, this book provides a sense of what a Mothertongue theatre piece does: it draws audience and performers into transformative, embodied conversations. Includes work by Awino Okech, Genna Gardini, Koleka Putuma, Makgati Mokwena, Malika Ndlovu, Mwenya B Kabwe, Nicosia Shakes, Nina Callaghan, Ntomboxolo Makhutshi and Rehane Abrahams.
The Ghost-Eater and Other Stories
Thirty-one new writers make their debut in The Ghost-Eater and Other Stories, a collection compiled by Diane Awerbuck and edited by Louis Greenberg. Funny and sad and highly original, the stories in The Ghost-Eater and Other Stories are invested with the passion, truth and quirkiness of the newest New South Africa and gives readers a chance to gauge the newest authors writing in South Africa at the moment.
Women's Activist Theatre in Jamaica and South Africa
Theater is an essential theoretical and practical site for forging Black radical thought, Africana feminisms, and womanism. Nicosia M. Shakes draws on ethnographic research in Jamaica and South Africa to analyze the vital relationship between activism and theater production. Concentrating on four performance events, Shakes situates the work of theater groups and projects within a trajectory of women-led social justice movements established in Jamaica, South Africa, and globally from the early 2000s to the present. Her analysis reveals movements driven by Black women’s artistic, intellectual, and organizational labor and focused on issues that range from sexual violence to reproductive justice to the spatial manifestations of racial, gender, and economic oppression. Shakes shows how theater’s political and pedagogical roles become entangled with histories and geographies of oppression and resistance; the identities and connections created by movements of people in the context of colonial and settler colonial histories; and ideas of womanism and feminism.
Routledge Handbook of African Theatre and Performance
The Routledge Handbook of African Theatre and Performance brings together the very latest international research on the performing arts across the continent and the diaspora into one expansive and wide-ranging collection. The book offers readers a compelling journey through the different ideas, people and practices that have shaped African theatre and performance, from pre-colonial and colonial times, right through to the 20th and early 21st centuries. Resolutely Pan-African and inter- national in its coverage, the book draws on the expertise of a wide range of Africanist scholars, and also showcases the voices of performers and theatre practitioners working on the cutting-edge of African th...
The Sol Plaatje European Union Poetry Anthology
Poetry lovers - those who enjoy reading it and those who are compelled to write it - will find in this collection a truly splendid experience of the country's soul. So much of the ineffable human spirit and experience that usually remains untold is gently lifted above the surface with care, attention and honesty.
Kaapse bibliotekaris
Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-
The Methuen Drama Guide to Contemporary South African Theatre
This is the first volume to provide a wide-ranging survey and analysis of South African drama from the last fifty years.
Scenes from Bourgeois Life
Scenes from Bourgeois Life proposes that theatre spectatorship has made a significant contribution to the historical development of a distinctive bourgeois sensibility, characterized by the cultivation of distance. In Nicholas Ridout’s formulation, this distance is produced and maintained at two different scales. First is the distance of the colonial relation, not just in miles between Jamaica and London, but also the social, economic, and psychological distances involved in that relation. The second is the distance of spectatorship, not only of the modern theatregoer as consumer, but the larger and pervasive disposition to observe, comment, and sit in judgment, which becomes characteristic of the bourgeois relation to the rest of the world. This engagingly written study of history, class, and spectatorship offers compelling proof of “why theater matters,” and demonstrates the importance of examining the question historically.
