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This volume is the first book-length study of masculinities in the Sagas of Icelanders. Spanning the entire corpus of the Sagas of Icelanders—and taking into account a number of little-studied sagas as well as the more well-known works—it comprehensively interrogates the construction, operation, and problematization of masculinities in this genre. Men and Masculinities in the Sagas of Icelanders elucidates the dominant model of masculinity that operates in the sagas, demonstrates how masculinities and masculine characters function within these texts, and investigates the means by which the sagas, and saga characters, may subvert masculine dominance. Combining close literary analysis with...
Compared to other areas of medieval literature, the question of masculinity in Old Norse-Icelandic literature has been understudied. This is a neglect which this volume aims to rectify. The essays collected here introduce and analyse a spectrum of masculinities, from the sagas of Icelanders, contemporary sagas, kings' sagas, legendary sagas, chivalric sagas, bishops' sagas, and eddic and skaldic verse, producing a broad and multifaceted understanding of what it means to be masculine in Old Norse-Icelandic texts. A critical introduction places the essays in their scholarly context, providing the reader with a concise orientation in gender studies and the study of masculinities in Old Norse-Ic...
Gareth doesn't have nine lives, but he is definitely not an ordinary cat. For one thing, he can talk. For another, he has magical powers that Jason never dreamed of. "Anywhere, any time, any country, any century"—Gareth tells Jason he can take them traveling through time. And in the wink of a very special cat's eye, they're off. From ancient Egypt to Japan, from the land of young Leonardo da Vinci to the town of a woman accused of witchcraft, Jason and Gareth are whisked from place to place and friend to foe. This fantastic tale grabs the imagination and takes it far and wide, on the adventure of not one, but nine, amazing lifetimes.
Playing for time explores connections between theatre time, the historical moment and fictional time. Geraldine Cousin persuasively argues that a crucial characteristic of contemporary British theatre is its preoccupation with instability and danger, and traces images of catastrophe and loss in a wide range of recent plays and productions. The diversity of the texts that are examined is a major strength of the book. In addition to plays by contemporary dramatists, Cousin analyses staged adaptations of novels, and productions of plays by Euripides, Strindberg and Priestley. A key focus is Stephen Daldry's award-winning revival of Priestley's An Inspector Calls, which is discussed in relation both to other Priestley 'time' plays and to Caryl Churchill's apocalyptic Far Away. Lost children are a recurring motif: Bryony Lavery's Frozen, for example, is explored in the context of the Soham murders (which took place while the play was in production at the National Theatre), whilst three virtually simultaneous productions of Euripides' Hecuba are interpreted with regard to the Beslan massacre of schoolchildren.
Press the squishy, silicone sound buttons and join the animals for a noisy, muddy day on the farm! The Very Noisy Farm is a hilarious book with squishy silicone animal heads to press and noisy sounds to hear at the turn of every page. With colorful illustrations and a fun rhyming story, it will delight children and grown-ups alike.
Gareth Lloyd lives a life of quiet obscurity, toiling in the Docklands by day and living the life of a recluse by night. Fate has forced his return to London after many years abroad, and soon Gareth finds he can no longer repress the childhood horrors which haunt him-memories which worsen when he receives shocking news. The Duke of Warneham has died suspiciously and without an heir, save for a distant and long-forgotten cousin. Now Gareth must take on a burden he never wished for . . . and that includes the newly widowed duchess.
Pain, Passion and Faith: Revisiting the Place of Charles Wesley in Early Methodism is a significant study of the 18th-century poet and preacher Charles Wesley. Wesley was an influential figure in 18th-century English culture and society; he was co-founder of the Methodist revival movement and one of the most prolific hymn-writers in the English language. His hymns depict the Christian life as characterized by a range of intense emotions, from ecstatic joy to profound suffering. With this book, author Joanna Cruickshank examines the theme of suffering in Charles WesleyOs hymns, to help us understand how early Methodist men and women made sense of the physical, emotional and spiritual pains they experienced. Cruickshank uncovers an area of significant disagreement within the Methodist leadership and illuminates Methodist culture more broadly, shedding light on early Methodist responses to contemporary social issues like charity, slavery, and capital punishment.
This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.