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A masterpiece is honored in this volume tracing Dan Kiley's ongoing development of landscape for the famous Miller House in Indiana. Extensive drawings and plans, never published before, are included. 50 color illustrations.
The landscape architecture firm of Innocenti & Webel, founded in 1931, has been building landscapes for over sixty years. This firm's work is founded not on a desire for formal invention or new design languages, but on traditional designs, seasoned practices, and the bonds established with long-term clients. It seeks value not from novelty but from predictability and permanence. Richard Webel and Umberto Innocenti first joined as partners after the firm they both worked for closed due to the Depression. Their early commissions were for the design of private Long Island estates, but within a few years they were also working on larger projects such as university and corporate campuses. Making ...
The Landscape Views series was established to highlight important issues of landscape architecture. Like our ever-popular Pamphlet Architecture series, Landscape Views packs a large amount of critical research into a small volume. Examines two projects in the Pacific Northwest.
'Visible Invisible' presents 40 of the completed landscape designs by the widely recognized firm Reed Hilderbrand. Douglas Reed and Gary Hilderbrand are known for their rigorously conceived and carefully executed projects that merge the particular native qualities of a site with recognizably contemporary design expression.
In 1928, Arthur A. Shurcliff (1870-1957) began what became one of the most important examples of the American Colonial Revival landscape--Colonial Williamsburg, a project that stretched into the 1940s and included town and highway planning as well as residential and institutional gardens. Elizabeth Hope Cushing, in this richly illustrated biography, traces Shurcliff's route from early years and planning work in Boston to his largest and most significant contribution to American landscape architecture.
Report is a 30 year review of originally the U.S. Navy Medical Neuropsychiatric Research Unit whose name was changed to Naval Health Research Center. This review provides a brief overview of the Center's origin, progress, achievements and current mission and functions. It provides a summary of each department's current research program and lists present and former military and civilian staff members, and student assistants. Also, the personal observation and recollections of three distinguished colleages associated with the founding and growth of the laboratory are included. The NHRC Report for 1979 also provides indepth information on the Vicennial activities held on 1 Oct 1979.
Unnatural Horizons presents a selective history of the last five centuries of landscape architecture at the intersection of poetics and science, rhetoric and technology, and philosophy and politics. It investigates the relations between garden aesthetics and metaphysics, discussing issues similar to those raised by Weiss's critically acclaimed Mirrors of Infinity. The Western garden has always served as a setting for music, dance, theater, sculpture, and architecture, as well as the minor arts of meditative contemplation and erotic seduction. The history of landscape architecture is therefore inextricable from the histories of the other arts, and must be studied from an interdisciplinary and polycultural point of view. Some of the topics included in this book are the influence of neo-Platonic philosophy on the Italian Renaissance garden, erotic fantasies and the 18th-century libertine garden, the contrast between Thoreau's romantic notion of virgin nature and changes in perception due to increasing speed and mechanization, and the limits of landscape architecture as art form in 20th-century gardens.
A call for landscape architects to leave the office and return to the garden. Addressing one of the most repressed subjects in landscape architecture, this book could only have been written by someone who is both an experienced gardener and a landscape architect. With Overgrown, Julian Raxworthy offers a watershed work in the tradition of Ian McHarg, Anne Whiston Spirn, Kevin Lynch, and J. B. Jackson. As a discipline, landscape architecture has distanced itself from gardening, and landscape architects take pains to distinguish themselves from gardeners or landscapers. Landscape architects tend to imagine gardens from the office, representing plants with drawings or other simulations, whereas...
Refocusing on human inhabitants in landscape architecture Landscape architecture is at a crossroads. The ability to draw upon interdisciplinary perspectives and generate insights from the combined vantage points of design, environmental studies, and the social sciences puts it in a prime position to address the most pressing issues of our time, such as climate change and social inequality. Its current reliance on digital and technological solutions, however, has increasingly caused landscape architects to lose sight of the ways in which humans actually use spaces. And while landscapes are designed all over the world, the discipline remains inordinately centered on the Global North. Landscape Fieldwork alters that long-standing paradigm through real-life examples that provide tools for practitioners to engage more deeply with multidimensional, diverse landscapes and the communities that create, live in, and use them.
This text covers the most popular types of landscapes designed today, from garden and park design, historic preservation and restoration, to community and regional planning.