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If opera had existed in Elizabethan London, the world's Top Bard, as W.H. Auden called him, might have become the world's Top Librettist. In this illuminating study, Gary Schmidgall ranges widely through the Shakespearean canon and the standard operatic repertory and presents a fascinating comparison of the two, focusing on similarities of expressive style, scenic structure, staging, and performance practice. Schmidgall includes both extended discussions of pertinent general issues and concise essays on the most intriguing Shakespeare-based operas. For all who love the stage, Shakespeare and Opera offers endless insight and fascinaton. Schmidgall's extended comparison of the two dramaturgies offers provocative new insights on Shakespeare, musical theater, comparative drama, and theater history.
The author of Literature as Opera and Shakespeare as Opera presents a brilliant portrait of Oscar Wilde as celebrated wit, scandalous scapegrace, and writer of genius whose life and art are inseparable from his gay identity. Photos. line drawings.
Explores the relationship between literature and opera by examining specific works of literature and showing how they were adapted into operas.
Through careful examination of contemporary sources and Walt Whitman's own writing, including his letters and personal journals, this groundbreaking biography explores the life of one of America's greatest poets through his homosexuality and fraternal friendships. 15 photos.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.
The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.
Walt Whitman burst onto the literary stage raring for a fight with his transatlantic forebears. With the unmetered and unrhymed long lines of Leaves of Grass, he blithely forsook "the old models" declaring that "poems distilled from other poems will probably pass away." In a self-authored but unsigned review of the inaugural 1855 edition, Whitman boasted that its influence-free author "makes no allusions to books or writers; their spirits do not seem to have touched him." There was more than a hint here of a party-crasher's bravado or a new-comer's anxiety about being perceived as derivative. But the giants of British literature were too well established in America to be toppled by Whitman's...
From the New York Times review of the Dallas Opera's performance of Orlando furioso and the international symposium on Baroque opera: ". . . it was a serious, thoughtful, consistent and imaginative realization of a beautiful, long-neglected work, one that fully deserved all the loving attention it received. As such, the production and its attendant symposium made a positive contribution to the cause of Baroque opera . . . . " Baroque opera experienced a revival in the late twentieth century. Its popularity, however, has given rise to a number of perplexing and exciting questions regarding literary sources, librettos, theater design, set design, stage movement, and costumes—even the editing...
Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas’d corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last. —Walt Whitman, from “This Compost” How did Whitman use language to figure out his relationship to the earth, and how can we interpret his language to reconstruct the interplay between the poet and his sociopolitical and environmental world? In this first book-len...
This edited book is a collection of papers, written by language assessment professionals to reflect the guidance of Professor Lyle F. Bachman, one of the leading second language assessment experts in the field for decades. It has three sub-themes: assessment of evolving language ability constructs, validity and validation of language assessments, and understanding internal structures of language assessments. It provides theoretical guidelines for practical language assessment challenges. Chapters are written by language assessment researchers who graduated from the University of California, Los Angeles, where Professor Bachman trained them including the book editors.