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Patrick Strzelec
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Gary Snyder and the Pacific Rim
In Gary Snyder and the Pacific Rim, Timothy Gray draws upon previously unpublished journals and letters as well as his own close readings of Gary Snyder's well-crafted poetry and prose to track the early career of a maverick intellectual whose writings powered the San Francisco Renaissance of the 1950s and 1960s. Exploring various aspects of cultural geography, Gray asserts that this west coast literary community seized upon the idea of a Pacific Rim regional structure in part to recognize their Orientalist desires and in part to consolidate their opposition to America's cold war ideology, which tended to divide East from West. The geographical consciousness of Snyder's writing was particula...
Al Loving, Torn Canvas
Born in Detroit, Al Loving (1935-2005) studied painting at the University of Michigan, before moving to New York in 1968, where he found himself among a milieu that included artists Robert Duran, Alan Shields, Richard Van Buren and the dancer and choreographer Batya Zamir. A year later, in 1969, Loving famously became the first African-American to have a one-person show at the Whitney. In works such as "Self-Portrait #23," Loving combines hundreds of pieces of torn fabric into an abundance of overlapping shapes. Their rich array of colors stretches irregularly, extending to the floor and encompassing the surrounding space. Accompanying the first exhibition devoted to Loving's work since his death in 2005, this volume provides an in-depth look at the artist's work from 1973 to 1985. It includes five of the artist's fabric wallhangings, and a selection of handmade paper collages, many of which have never before been reproduced.
The Selected Letters of Allen Ginsberg and Gary Snyder
One of the central relationships in the Beat scene was the long–lasting friendship of Allen Ginsberg and Gary Snyder. Ginsberg introduced Snyder to the East Coast Beat writers, including Jack Kerouac, while Snyder himself became the model for the serious poet that Ginsberg so wanted to become. Snyder encouraged Ginsberg to explore the beauty of the West Coast and, even more lastingly, introduced Ginsberg to Buddhism, the subject of so many long letter exchanges between them. Beginning in 1956 and continuing through 1991, the two men exchanged more than 850 letters. Bill Morgan, Ginsberg's biographer and an important editor of his papers, has selected the most significant correspondence from this long friendship. The letters themselves paint the biographical and poetic portraits of two of America's most important—and most fascinating—poets. Robert Hass' insightful introduction discusses the lives of these two major poets and their enriching and moving relationship.
The Etiquette of Freedom
Gary Snyder joined his old friend, novelist Jim Harrison, to discuss their loves and lives and what has become of them throughout the years. Set amidst the natural beauty of the Santa Lucia Mountains, their conversations—harnessing their ideas of all that is wild, sacred and intimate in this world—move from the admission that Snyder's mother was a devout atheist to his personal accounts of his initiation into Zen Buddhist culture, being literally dangled by the ankles over a cliff. After years of living in Japan, Snyder returns to the States to build a farmhouse in the remote foothills of the Sierras, a homestead he calls Kitkitdizze. For all of the depth in these conversations, Jim Harr...
Women of Abstract Expressionism
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Han Shan, Chan Buddhism and Gary Snyder's Ecopoetic Way
Presents a comparative study of the ninth-century Chinese poet and recluse Han Shan (Cold Mountain) and Gary Snyder, an American poet and environmental activist. This book explains how Chan Buddhism has the potential to be recognized as an important voice in contemporary ecopoetry.
Ralph Humphrey
Ralph Humphrey (1932-1990) was one of the foremost exponents of postminimalist painting in 1960s New York. As much a sculptor as a painter, Humphrey created surfaces of almost absurd tactility using casein and modeling paste: thick slabs of knobby, brightly hued pigment, arranged in fat lozenges, grids or squares. These works loom out at the viewer with both gravity and humor, insisting on a measured encounter; as the artist wrote in a journal entry, "Space coming forward is more of a confronting, more like an experience, but an experience that calls attention to its own time ... I find that when the painting starts coming back at me I know I'm going to get to the observer." This volume provides a detailed view of Humphrey's work from 1973 to 1984, along with critical reflections on his process and his reputation.
The Typewriter Is Holy
Anyone who cares to understand the cultural ferment of America in the later twentieth century must know of the writings and lives of those scruffy bohemians known as the Beats. In this highly entertaining work, Bill Morgan, the country's leading authority on the movement and a man who personally knew most of the Beat writers, narrates their history, tracing their origins in the 1940s to their influence on the social upheaval of the 1960s. The Beats, through their words and nonconformist lives, challenged staid postwar America. They believed in free expression, dabbled in free love, and condemned the increasing influence of military and corporate culture in our national life. But the Beats were not saints. They did too many drugs and consumed too much booze. The fervent belief in spontaneity that characterized their lives and writings destroyed some friendships. As we watch their peripatetic lives and sexual misadventures, we are reminded above all that while their personal lives may not have been holy, their typewriters and their lasting words very much were.
