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Sidney's 'The Defence of Poesy' and Selected Renaissance Literary Criticism
Controversy raged through England during the 1570-80s as Puritans denounced all manner of games & pastimes as a danger to public morals. Writers quickly turrned their attention to their own art and the first & most influential response came with Philip Sidney's Defense. Here he set out to answer contemporary critics &, with reference to Classical models of criticism, formulated a manifesto for English literature. Also includes George Puttenham's Art of English Poesy, Samuel Daniel's Defence of Rhyme, & passages by writers such as Ben Jonson, Francis Bacon & George Gascoigne.
The Model of Poesy
The Model of Poesy is one of the most exciting literary discoveries of recent years. A manuscript treatise on poetics written in 1599, the end of the most revolutionary decade in English literary history, it includes rich discussions of the works of Sidney, Spenser, Shakespeare, and their contemporaries. Scott's work presents a powerful and coherent theoretical account of all aspect of poetics, from the nature of representation to the rules of versification, with a commitment to relating theory to contemporary practice. For Scott, any theory of literature must make sense not of the classics but of what English writers are doing now: Scott is at the same time the most scholarly and the most relevant of English Renaissance critics. In this groundbreaking edition, Gavin Alexander presents a text of Scott's Model framed by a detailed introduction and an extensive commentary, which together demonstrate the range and value of Scott's thought.
Writing After Sidney
'Writing After Sidney' examines the literary response to Sir Philip Sidney, author of the 'Arcadia, Astrophil and Stella' and 'The Defence of Poesy', and the influential writer of the Elizabethan period.
Renaissance Figures of Speech
The Renaissance saw a renewed and energetic engagement with classical rhetoric; recent years have seen a similar revival of interest in Renaissance rhetoric. As Renaissance critics recognised, figurative language is the key area of intersection between rhetoric and literature. This book is the first modern account of Renaissance rhetoric to focus solely on the figures of speech. It reflects a belief that the figures exemplify the larger concerns of rhetoric, and connect, directly or by analogy, to broader cultural and philosophical concerns within early modern society. Thirteen authoritative contributors have selected a rhetorical figure with a special currency in Renaissance writing and have used it as a key to one of the period's characteristic modes of perception, forms of argument, states of feeling or styles of reading.
Alexander the Greatest
Who was Alexander? Myth or man? God or devil? He claimed to be Zeus' son and even in his own lifetime wild legends sprang up about him. Above all, Alexander was a hero - brave, wily, handsome and inspiring. This richly illustrated biography skilfully interweaves accounts of Alexander's battle campaigns with legends from each newly conquered country. From Greece and Egypt to Persia and India, the stories of the great mythical heroes of Achilles, Gilgamesh, and more, provide revealing echoes to Alexander's own charmed life.
The Places of Early Modern Criticism
What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to art...
The Model of Poesy
The Model of Poesy is one of the most exciting literary discoveries of recent years. A manuscript treatise on poetics written by William Scott in 1599, at the end of the most revolutionary decade in English literary history, it includes rich discussions of the works of Sidney, Spenser, Shakespeare and their contemporaries. Scott's work presents a powerful and coherent theoretical account of all aspects of poetics, from the nature of representation to the rules of versification, with a commitment to relating theory to contemporary practice. For Scott, any theory of literature must make sense not of the classics but of what English writers are doing now: Scott is at the same time the most scholarly and the most relevant of English Renaissance critics. In this groundbreaking edition, Gavin Alexander presents a text of The Model of Poesy framed by a detailed introduction and an extensive commentary, which together demonstrate the range and value of Scott's thought.
How to Gain Weight and Build Muscle for Skinny Guys: 30 lbs of Meat
How To Gain Weight & Build Muscle A Body HACK for Skinny Guys or "1 Year to BIG!" If you are a skinny guy and you want to gain weight fast, and ensure it is 100% rock solid muscle then this book is going to deliver the results it promises. It isn't full of fake hopes and dreams about getting jacked in a few weeks, it is a realistic look at just how skinny guys can hack their bodies to consistently gain 2-3 lbs of muscle each and every month for a year. That's how long the author believes you need to totally transform your body, and he is right. To quote: "Anyone can gain 30 lbs of weight in a few months, anyone. But it won't be muscle, it will be fat. But follow the guidelines in my book abo...
The Leibniz-Clarke Correspondence
In 1715 the German philosopher Leibniz warned his friend the Princess of Wales of the dangers posed to religion by Newton's ideas. This book presents extracts from Leibniz's letters to Newtonian scientist Samuel Clarke.
