Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Resistance Art in South Africa
"Resistance Art" was Sue Williamson s classic account of the visual art against apartheid. First published in 1989, it soon became a bestseller. Editions were sold in the United States and the UK, and the South African edition sold out within a few years. Because of continuing demand, this landmark work has now been reprinted with a new preface, so as to make the art of the 1980s and 1990's available to a new generation of readers and art lovers.
Art and the End of Apartheid
Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. This is the The first book to fully explore cosmopolitan modern art by black South Africans under apartheid.
A Poetics of Resistance
A survey of the empowering poetry of politically active women in El Salvador, South Africa, and the United States.
Empathic Vision
This book analyzes contemporary visual art produced in the context of conflict and trauma from a range of countries, including Colombia, Northern Ireland, South Africa, and Australia. It focuses on what makes visual language unique, arguing that the "affective" quality of art contributes to a new understanding of the experience of trauma and loss. By extending the concept of empathy, it also demonstrates how we might, through art, make connections with people in different parts of the world whose experiences differ from our own. The book makes a distinct contribution to trauma studies, which has tended to concentrate on literary forms of expression. It also offers a sophisticated theoretical analysis of the operations of art, drawing on philosophers such as Gilles Deleuze, but setting this within a postcolonial framework. Empathic Vision will appeal to anyone interested in the role of culture in post-September 11 global politics.
Democracy X
This book is a catalogue and a reader. It is the companion to the exhibition "Democracy X' held in Cape Town 2004. It also explores a range of historical, cultural and political matters around the 10th anniversary of the new democratic South-Africa. Richly illustrated, this book includes essays of eminent writers about topics such as the Boer War, the Iron Age, ethnic politics, nationalism, film and popular media.
Rorke's Drift
"The evangelical Lutheran Art and Craft Centre at Rorke's Drift, as one of the very few places that offered training to black artists during the years of aparthied, played a key role in South African art, not only for those who studied there, but the many others whom they trained or influenced in turn." "Drawing on a wide range of interviews with participants in the Rorke's Drift project, not only from South Africa, but also from Sweden, the Netherlands, Britain and the USA, this book sets out to write the story of the beginnings of the Centre in the 1960s, the founding and development of the Fine Art School in 1968, and the contribution of teachers and students until its closure in 1982." --book jacket.
Against Normalization
At the end of apartheid, under pressure from local and transnational capital and the hegemony of Western-style parliamentary democracy, South Africans felt called upon to normalize their conceptions of economics, politics, and culture in line with these Western models. In Against Normalization, however, Anthony O’Brien examines recent South African literature and theoretical debate which take a different line, resisting this neocolonial outcome, and investigating the role of culture in the formation of a more radically democratic society. O’Brien brings together an unusual array of contemporary South African writing: cultural theory and debate, worker poetry, black and white feminist wri...
Saving Water
These poems cover many different states of mind and situations and are deeply rooted in South Africa but also travel to other continents. A strong historical consciousness is mixed with different examples of violence and dispossession as well as an awareness of subconscious associations so that the political and the surreal intermingle - the brutalities of war and exploitation are softened by the tenderness of love. Stylistically inventive, it explores new forms while striving for an overall musicality.
William Kentridge
Introduction : on the southern tip of Africa -- Process as metaphor : the metaphorics of erasure -- History as process : theaters of politics and Hegel in Africa -- Process/procession : a process of change -- Drawing up, drawing out : drawing as thinking -- Projection : the most promiscuous of metaphors -- Being contemporary up south : world time and other doubtful enterprises
Memorializing the Past
This work is a meditation on the shaping of time and its impact on living with and understanding atrocity in South Africa in the wake of the Truth and Reconciliation Commission (TRC). It is an examination of the ways that the institutionalization of memory has managed perceptions of time and transition, of events and happenings, of sense and emotion, of violence and recovery, of the past and the new. Through this process a public language of memory has been carved into collective modes of meaning. It is a language that seems deprived of the hopes, dreams, and possibilities for the promise of a just and redemptive future it once nurtured.Truth commissions are profoundly implicated in the soci...
