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Each vol. includes an annual bibliography; 1915-20 consist of bibliography only.
The 2000th anniversary of Ovid's death was celebrated in 2017, and Ovid in Late Antiquity aims to mark the occasion. This book embodies a specific approach to Ovid's oeuvre, which is not analysed in and of itself, but rather in its role as a wellspring of inspiration to which later authors would return time and again. Covering the work of a number of authors, who found their way back to Ovid via different methodological pathways, the research distilled in this book is geared towards exploring the ways in which the authors of late antiquity interacted with the poet of the Metamorphoses and with his immense, multifaceted output. The choice of this approach arose out of an awareness that the presence and influence of Ovid in late antiquity constitute aspects of the Ovidian legacy that would benefit from more in-depth exploration. The essays in this collection are intended to help bridge this gap.
These essays recover the lively discussions on the topics of 'magnificence' and 'the sublime' in the art and literature of antiquity, the Renaissance, and the ages following, and apply them to the Middle Ages to draw exciting new conlcusions.
Is it possible to reconstruct the feeling of a medieval pilgrim walking towards the sacred? No, it is not. And yet, the experimental project 'Migrating Art Historians' sought to delve into this impossibility. Journeying by foot over more than 1500km, twelve modern pilgrims ? students and scholars from Masaryk University ? reached some of the most impressive artistic monuments of medieval France. 0One year later, this book presents their intellectual, human, and art historical theoretical know-how, transformed by the experience of their bodies. In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred. Original scientific art historical research combines with personal engagement. What emerges is the subject confronted with the experience of medieval art.
The epics of the three Flavian poets--Silius Italicus, Statius, and Valerius Flaccus--have, in recent times, attracted the attention of scholars, who have re-evaluated the particular merits of Flavian poetry as far more than imitation of the traditional norms and patterns. Drawn from sixty years of scholarship, this edited collection is the first volume to collate the most influential modern academic writings on Flavian epic poetry, revised and updated to provide both scholars and students alike with a broad yet comprehensive overview of the field. A wide range of topics receive coverage, and analysis and interpretation of individual poems are integrated throughout. The plurality of the critical voices included in the volume presents a much-needed variety of approaches, which are used to tackle questions of intertextuality, gender, poetics, and the social and political context of the period. In doing so, the volume demonstrates that by engaging in a complex and challenging intertextual dialogue with their literary predecessors, the innovative epics of the Flavian poets respond to contemporary needs, expressing overt praise, or covert anxiety, towards imperial rule and the empire.
"This masterful study will have its place on every ancient historian's bookshelf."—Claudia Rapp, author of Holy Bishops in Late Antiquity: The Nature of Christian Leadership in an Age of Transition