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A Choice of Emblemes
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The Emblem in Renaissance and Baroque Europe: Tradition and Variety
The volume is a cross-section of contributions to the Glasgow International Emblem Conference 1990, and demonstrates the range of research currently under way into the emblem tradition in the Renaissance and Baroque periods and the variety of its development across the centuries in many European countries. The seventeen papers are arranged here in broad national and thematic groupings, showing the emblem tradition in France, Italy, the Low Countries, Germany, Britain, within the field of alchemy, and extending into wider European traditions. The volume is generously illustrated, and an index is provided for the orientation of the reader. An impression of the richness of the European emblem tradition is given for the general reader, whilst the specialist is provided with a comprehensive insight into the many and varied strands of current emblem research and the diversity of approach adopted by scholars internationally.
The Imagination in Early Modern English Literature
In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its restraint by reason, and to its ability to create novelty. An early modern definition of imagination emerges in the work of Robert Burton, Francis Bacon, Edward Reynolds, and Margaret Cavendish. Smid explores a variety of literary texts, from Thomas Nashe’s The Unfortunate Traveler to Francis Quarles’s Emblems, to demonstrate the literary consequences of the early modern imagination. The Imagination in Early Modern English Literature insists that, if we are to call an early modern text “imaginative,” we must recognize the unique characteristics of early modern English imagination, in all its complexity.
Genealogies in the Library of Congress
Vol 1 905p Vol 2 961p.
Renaissance Historicisms
This collection of essays by major Renaissance scholars demonstrates the vitality and variety of current historical approaches to studying early modern England - itself developing new ways to view the past. Here are, for example, a hitherto unpublished memoir, a discussion of Shakespeare's printed texts, new biographical approaches to Tudor writers, the recovery of manuscript sources, the tracing of intertextual relations, the impact of Renaissance humanism, and close readings that join an understanding of words' ambiguity to a refreshed awareness of historical context. --From publisher's description.
