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Alfred Hitchcock
  • Language: en
  • Pages: 224

Alfred Hitchcock

Focuses on the career and achievements of the director who envisioned a new kind of thriller.

Beyond the Epic
  • Language: en
  • Pages: 590

Beyond the Epic

Two-time Academy Award winner Sir David Lean (1908–1991) was one of the most prominent directors of the twentieth century, responsible for the classics The Bridge on the River Kwai (1957), Lawrence of Arabia (1962), and Doctor Zhivago (1965). British-born Lean asserted himself in Hollywood as a major filmmaker with his epic storytelling and panoramic visions of history, but he started out as a talented film editor and director in Great Britain. As a result, he brought an art-house mentality to blockbuster films. Combining elements of biography and film criticism, Beyond the Epic: The Life and Films of David Lean uses screenplays and production histories to assess Lean’s body of work. Aut...

Stanley Kubrick
  • Language: en

Stanley Kubrick

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing, Lolita, A Clockwork Orange, and The Shining and selected a wide variety of genres for his films -- black comedy (Dr. Strangelove), science fiction (2001: A Space Odyssey), and war (Paths of Glory and Full Metal Jacket). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or to be deeply pondered. Kubrick (1928-1999) has remained as elusive as the subjects of his films. Unl...

Out of the Shadows
  • Language: en
  • Pages: 323

Out of the Shadows

Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding the Canon of Classic Film Noir, Gene Phillips provides an in-depth examination of several key noir ...

Godfather: The Intimate Francis Ford Coppola
  • Language: en
  • Pages: 454

Godfather: The Intimate Francis Ford Coppola

Author Gene D. Phillips blends biography, studio history, and film criticism to provide the most comprehensive work available on Francis Ford Coppola. Phillips gained access to the reticent director and his colleagues and examined Coppola's private production journals and screenplays. He reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream. Phillips also illuminates the details of the production history of the harrowing 238-day shoot of Apocalypse Now and explains how The Godfather was almost cast without the now iconic Marlon Brando.

Some Like It Wilder
  • Language: en
  • Pages: 493

Some Like It Wilder

One of the most accomplished writers and directors of classic Hollywood, Billy Wilder (1906–2002) directed numerous acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), The Seven Year Itch (1955), Witness for the Prosecution (1957), and Some Like It Hot (1959). Featuring Gene D. Phillips's unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. Wilder began his career as a screenwriter in Berlin but, because of his Jewish heritage, sought refuge in America when Germany came under Nazi control. Making fast connections in Hollywood, Wilder immediately made the jump from screenwriter to director. His classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945) earned Academy Awards for best picture, director, and screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me, Stupid (1964) and The Apartment (1960), which won Oscars for best picture and director. This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking.

Francis Ford Coppola
  • Language: en
  • Pages: 240

Francis Ford Coppola

These interviews show how the director of The Godfather and The Godfather: Part II evolved from hotshot film maverick to elder statesman of American cinema.

The Encyclopedia of Filmmakers
  • Language: en
  • Pages: 776

The Encyclopedia of Filmmakers

  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

Contains entries that examine the careers of twentieth-century filmmakers who have advanced the art of cinema, each with a biographical portrait, a look at his or her early work, a discussion of major films and themes, and critical commentary. Arranged alphabetically from A to K.

The Encyclopedia of Stanley Kubrick
  • Language: en
  • Pages: 422

The Encyclopedia of Stanley Kubrick

  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

Surveys the director's life and career with information on his films, key people in his life, technical information, themes, locations, and film theory.

Stanley Kubrick
  • Language: en
  • Pages: 202

Stanley Kubrick

  • Type: Book
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  • Published: 1975
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  • Publisher: Unknown

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