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The Iranian director Abbas Kiarostami burst onto the international film scene in the early 1990s and was widely regarded as one of the most distinctive and talented modern-day directors. His major features - including Through the Olive Trees (1994), Taste of Cherry (1997) and The Wind Will Carry Us (1999) - are relatively modest in scale, contemplative and humanist in tone. In 2002, with 10, Kiarostami broke new ground, fixing one or two digital cameras on a car's dashboard to film ten conversations between the driver (Mania Akbari) and her various passengers. The results are astonishing: though formally rigorous, even austere, and documentary-like in its style, 10 succeeds both as emotional...
The Iranian director Abbas Kiarostami burst onto the international film scene in the early 1990s and was widely regarded as one of the most distinctive and talented modern-day directors. His major features - including Through the Olive Trees (1994), Taste of Cherry (1997) and The Wind Will Carry Us (1999) - are relatively modest in scale, contemplative and humanist in tone. In 2002, with 10, Kiarostami broke new ground, fixing one or two digital cameras on a car's dashboard to film ten conversations between the driver (Mania Akbari) and her various passengers. The results are astonishing: though formally rigorous, even austere, and documentary-like in its style, 10 succeeds both as emotional...
This appreciative account of the 'Three Colours' trilogy communicates the power and imagery of the films, and demonstrates how Kieslowski's art is brought to bear in their moving renditions of the lives of its characters. An interview with Kieslowsi shortly before his death concludes this tribute.
Here at last is an introduction to film theory and its history without the jargon. Noted film scholar V. F. Perkins presents criteria for expanding our understanding and enjoyment of movies. He employs common sense words like balance, coherence, significance, and satisfaction to develop his insightful support of the subtle approach and of the unobtrusive director. Readers will learn why a scene from the humbler movie Carmen Jones is a deeper realization of filmmaking than the bravura lion sequence in the classic Battleship Potemkin. Along the way Perkins invites readers to re-experience with clarity, directness, and simplicity other famous scenes by directors like Hitchcock, Eisenstein, and ...
An examination of 250 of the world's greatest film directors, classic Hollywood filmmakers as well as independent and international directors, describes the visual style of each.
The Film Handbook examines the current status of filmmaking, how film is produced and distributed and its relation with today's digital and web-based climate.
This book takes an accessible approach to the movies: an era-by-era survey with a personal angle. This lively, compact history of film offers the most direct experience of the great movies of the 20th century to be found between covers. The book is divided into 10 chapters, each dedicated to a specific time and place in cinema history. Each is written by an eminent critic (or critics) with specialist knowledge, and consists of an introductory overview, followed by a personal selection of 15 of their favourite films. Their pick gives the reader an enormously varied selection; old favourites such as "King Kong" and "The Hustler" are found alongside rarities that have previously been the private domain of the experts. Each film is described and dissected in a self-contained essay that covers who made it and why, its artistic features and matters of technical interest, and the broader context in which it was made. Most important of all, each critic discusses his or her personal reasons for choosing it. Vividly written and lavishly illustrated with stills from the films, this book brings 100 years of film history to life.S.
The Cambridge Spies continue to fascinate - but one of them, John Cairncross, has always been more of an enigma than the others. He worked alone and was driven by his hostility to Fascism rather than to the promotion of Communism. During his war-time work at Bletchley Park, he passed documents to the Soviets which went on to influence the Battle of Kursk. Now, Geoff Andrews has access to the Cairncross papers and secrets, and has spoken to friends, relatives and former colleagues. A complex individual emerges – a scholar as well as a spy – whose motivations have often been misunderstood. After his resignation from the Civil Service, Cairncross moved to Italy and here he rebuilt his life as a foreign correspondent, editor and university professor. This gave him new circles and friendships – which included the writer Graham Greene – while he always lived with the fear that his earlier espionage would come to light. The full account of Cairncross's spying, his confession and his dramatic public exposure as the 'fifth man' will be told here for the first time, while also unveiling the story of his post-espionage life.
"The Iranian Abbas Kiarostami burst onto the international film scene in the early 1990s and - as demonstrated by the many major prizes he has won - is now widely regarded as one of the most distinctive and talented modern-day directors. His major features - including Through the Olive Trees (1994), Taste of Cherry (1997) and The Wind Will Carry Us (1999) - are relatively modest in scale, contemplative and humanist in tone. In 2002, with 10, Kiarostami broke new ground, fixing one or two digital cameras on a car's dashboard to film ten conversations between the driver (Mania Akbari) and her various passengers. The results are astonishing: though formally rigorous, even austere, and documenta...
In a world where everyone is a photographer now, how do you stand out? The answer can be found in this simple but profound book. It will train your eye to see what others don't. -- David Hieatt This isn't a book about how to take the best pictures. It's not even about the technical aspects of photography or how to make it as a photographer. In fact, it argues that you should take fewer photographs. By sharing 10 practices honed over a lifetime spent behind the lens working with clients such as Adidas, Levi Strauss, and Apple, photographer Andrew Paynter encourages you to develop a more considered approach to photography so that you craft pictures with care. Do Photo teaches novice, intermediate and advanced photographers - and everyone in between - how to use their cameras to really connect with subjects, create memorable and more impactful photographs, and to enjoy the process along the way. And guess what? It all starts before you even pick up the camera.