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Recalls a childhood on Long Island as the counterculture sixties were sliding into the seventies and the Hamptons were still a middle-class sanctuary.
Roberto Benigni, the Italian comedian, actor, director, and writer, gained international fame when his film La vita รจ bella/ Life Is Beautiful (1997) won three Oscars in 1999, including Best Foreign Film and Best Actor. Benigni has been a steady presence in Italian popular culture since the mid-1970s. This book introduces Benigni's performances in film, stage, and television, little known outside of Italy, with an emphasis on the cultural and intellectual backdrops that characterize his films, including his origins among the Tuscan rhyming poets and his experiences in the Roman avant-garde theater. Benigni's statements about his experiences and apprenticeships with cinema notables like Cesare Zavattini and Federico Fellini reveal a wealth of fresh information and confirm the sense that there is more to this madcap buffoon than meets the eye.
In an industry that celebrates extravagance and showmanship, Danish film director Carl Th. Dreyer was a rarity, a man who guarded his privacy fiercely and believed that film provided a way to understand human nature by focusing on the individual person. Best known for his 1928 film The Passion of Joan of Arc, dominated by its emotionally harrowing close-ups of Joan during her trial, it was Dreyer who pioneered some of the seminal techniques of modern film, techniques that would later be made famous by better known contemporaries such as Sergei Eisenstein and D.W. Griffith. Now, in My Only Great Passion, the first full-length English language biography of Dreyer, Jean and Dale D. Drum restore...
This is a behind-the-scenes account of several quality programs for the British television. With a lighthearted perspective, writer/producer Christopher Neame recounts the challenges and rewards of working on such productions as Danger U.X.B., The Knowledge, Q.E.D., The Irish R.M., Monsignor Quixote, and The Flame Trees of Thika.
Discusses the optimism and good cheer that surrounded the young, Depression-era box office star whose singing, acting, and charming smile helped revive the American spirit during the 1930s and for many decades after.
This book offers detailed listings of all the major Shakespeare plays on stage and screen in North America. Exploring each of the play's performance history, including reviews and useful information about staging, it provides an engaging reference guide for academics and students alike.
By any reasonable expectation, George Arliss should not have succeeded as a star, either on stage or in film. Yet he achieved a career enjoyed by very few in the performing arts. An actor, author, playwright, and filmmaker, George Arliss won acclaim for his work first on the stage and then later, most improbably, as a Hollywood movie star. His films achieved the rare distinction of being both artistic and financial successes. Though he was neither young nor handsome, Arliss found popular acclaim for his many historical characterizations such as Voltaire, Nathan Rothschild, Cardinal Richelieu, and Benjamin Disraeli. Robert Fells traces Arliss's life and times through his film work, providing a thoroughly researched and entertaining view of one of the most important, yet neglected figures in film history. The book also reviews the actor's uneasy relationship with screenwriters, his clashes with British film producer Michael Balcon, his championing of young unknowns such as Bette Davis and James Cagney, and his prosecution by the British Government during World War II. It also includes a complete filmography and a selected stageography of Arliss's work. Includes 20 photos.
Now in Paperback! Ronald Neame's autobiography takes its title from one of his best-loved films, The Horse's Mouth (1958), starring Alec Guinness. In an informative and entertaining style, Neame discusses the making of that film, along with several others, including In Which We Serve, Blithe Spirit, Brief Encounter, Great Expectations, Tunes of Glory, I Could Go on Singing, The Prime of Miss Jean Brodie, Scrooge, The Poseidon Adventure, and Hopscotch. Straight from the Horse's Mouth provides a fascinating, first-hand account of a unique filmmaker, who began his career as assistant cameraman on Hitchcock's first talkie, Blackmail, and went on to direct Maggie Smith, Judy Garland, Walter Matth...
Painstakingly researched with copious citations from books, newspapers, and news magazines, this new edition has become the classic reference work praised by professional copy editors.
Since first appearing in 1998, Garner's Modern American Usage has established itself as the preeminent guide to the effective use of the English language. Brimming with witty, erudite essays on troublesome words and phrases, this book authoritatively shows how to avoid the countless pitfalls that await unwary writers and speakers whether the issues relate to grammar, punctuation, word choice, or pronunciation. Now in the third edition, readers will find the "Garner's Language-Change Index," which registers where each disputed usage in modern English falls on a five-stage continuum from nonacceptability (to the language community as a whole) to acceptability, giving the book a consistent standard throughout. Garner's Modern American Usage, 3e is the first usage guide ever to incorporate such a language-change index, and the judgments are based both on Garner's own original research in linguistic corpora and on his analysis of hundreds of earlier studies. Another first in this edition is the panel of critical readers: 120-plus commentators who have helped Garner reassess and update the text, so that every page has been improved.