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Materials and Skills for Historic Building Conservation
This book is the third in a series of volumes that combine conservation philosophy in the built environment with knowledge of traditional materials, and structural and constructional conservation techniques and technology: Understanding Historic Building Conservation Structures & Construction in Historic Building Conservation Materials & Skills for Historic Building Conservation The series aims to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge for architects, surveyors and engineers as well as for commissioning client bodies, managers and advisors. In each book, Michael Forsyth draws together chapters by leading architects, structural engineers a...
"The Given Note"
The oldest records indicate that the performance of poetry in Gaelic Ireland was normally accompanied by music, providing a point of continuity with past tradition while bolstering a sense of community in the present. Music would also offer, particularly for poets writing in English from the eighteenth century onwards, a perceived authenticity, a connection with an older tradition perceived as being untarnished by linguistic and cultural division. While providing an innovative analysis of theoretical work in music and literary studies, this book examines how traditional Irish music, including the related song tradition (primarily in Irish), has influenced, and is apparent in, the work of Irish poets. While looking generally at where this influence is evident historically and in contemporary Irish poetry, this work focuses primarily on the work of six poets, three who write in English and three who write primarily in the Irish language: Thomas Kinsella, Seamus Heaney, Ciaran Carson, Gearóid Mac Lochlainn, Nuala Ní Dhomhnaill and Cathal Ó Searcaigh.
Four Paths to Jerusalem
Jerusalem has long been one of the most sought-after destinations for the followers of three world faiths and for secularists alike. For Jews, it has the Western (Wailing) Wall; for Christians, it is where Christ suffered and triumphed; for Muslims, it offers the Dome of the Rock; and for secularists, it is an archeological challenge and a place of tragedy and beauty. This work concentrates on Jewish, Christian, Muslim, and secular pilgrimages to Jerusalem over the last three millennia, drawing from over 165 accounts of travels to the ancient city. Chapters are devoted to ghostly and other pilgrims, the significance of Jerusalem, the beginnings of the pilgrimage in the time of kings David and Solomon, pilgrimages under Roman and Byzantine rule, Christian and Muslim pilgrimages in the early Islamic period, pilgrimages in the First Crusade and its aftermath, more crusades and pilgrims during the Ayyubid and Mamluk dynasties, pilgrimages under Ottoman rule, pilgrimages under the British and Israelis, and the unity among pilgrims and the symbolism of the journey.
Postcolonial Overtures
Postcolonial Overtures explores the importance of sound in contemporary Northern Irish writing, focusing on the work of three canonical poets: Ciaran Carson, Derek Mahon, and Paul Muldoon. Obert argues that these poets respond to what Edward Said calls “geographical violence”—to the stratification of the North’s visual spaces; to the sectarian symbols splashed across Belfast and beyond—by turning from the eye to the ear, tentatively remapping place in acoustic space. Carson, for instance, casts Troubles-era Belfast as a “demolition city,” its landmarks “swallowed in the maw of time and trouble,” and tries to compensate for this inhospitality by reimagining landscape as soundscape, an immersive auditory field. This strategy suggests sound’s political and affective potential: music, accent, and even comfortingly familiar white noise can help subjects, otherwise unmoored, feel at home. Drawing on a diverse range of fields, Obert devotes two chapters to the examination of each poet’s work, allowing room for both in-depth formalist readings and contextual and theoretical understandings of the poems and their reverberating effects.
Gowers Review of Intellectual Property
This report examines the importance of intellectual property (IP), ranging from patents, copyright, design and trade marks, and whether in the age of globalization, digitization and increasing economic specialization it still creates incentives for innovation, without unduly limiting access to consumers and stifling further innovation. The report does recommend a radical overhaul of the system, with the review concentrating on three areas, and setting out the following recommendations: (i) strengthening enforcement of IP rights, whether through clamping down on piracy or trade in counterfeit goods; (ii) reducing costs of registering and litigating IP rights for businesses large and small; (iii) improving the balance and flexibility of IP rights to allow individuals, businesses and institutions to use content in ways consistent with the digital age.
Old House Handbook
Old House Handbook is a completely authoritative guide on how to look after your old house – whether Tudor, Georgian, Victorian or Edwardian – authorised by the Society for the Protection of Ancient Buildings.
Staircases
The staircase dates back to the very beginning of architectural history. Virtually every significant building from the ziggurats of ancient Mesopotamia to the present day, has not only contained one or more staircases, but has celebrated them. For such an apparently simple part of a building they have been made in a bewildering variety of forms and from a wide range of materials. Every age has sought to out-perform the previous to produce ever more spectacular and gravity-defying designs. 'Staircases: History, Repair and Conservation' is the first major reference volume devoted entirely to the understanding of staircases and the issues surrounding their repair and conservation. Each chapter ...
Jailtacht
Using research methods and techniques, the author closely analyses the emergence of the Irish language amongst republican prisoners and ex prisoners in Northern Ireland from the 1970’s up until the present. This pioneering study shows how the language was used exclusively in parts of the prison, despite the efforts of the prison authorities to suppress the language, and the dramatic impact this had on Irish society. Drawing on interviews with the prisoners, and various other materials, Mac Giolla Chriost shows how these developments gave rise to the popular coinage of the term ‘Jailtacht’, a deformation of ‘Gaeltacht’ - the official Irish-speaking district of the Republic of Ireland, to describe this unique linguistic phenomenon.
