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The Oboe
  • Language: en
  • Pages: 444

The Oboe

The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic a...

The Premier Oboist of Europe
  • Language: en
  • Pages: 216

The Premier Oboist of Europe

  • Type: Book
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  • Published: 2003
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  • Publisher: Unknown

"The Premier Oboist of Europe": A Portrait of Gustave Vogt describes the life and achievements of the most prolific composer of oboe music in the nineteenth century. This book attempts to stimulate appreciation of Gustave Vogt (1781-1870) as musician and historical personality. It brings together portraiture, personal correspondence, concert reviews, autographs, and countless other documents including Vogt's Conservatoire exam reports, a detailed work list of Vogt's compositions, and the first complete transcription and translation of his unpublished oboe method. Despite his exceptional career and the seminal position in the history of the oboe, Vogt's long and active career have been largel...

The Pathetick Musician
  • Language: en
  • Pages: 361

The Pathetick Musician

Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011.

The Pathetick Musician
  • Language: en

The Pathetick Musician

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

What is rhetorical music? In 'The Pathetick Musician', Bruce Haynes and Geoffrey Burgess illustrate the vital place of rhetoric and eloquent expression in the creation and performance of Baroque music.

The Eloquent Oboe
  • Language: en
  • Pages: 576

The Eloquent Oboe

  • Type: Book
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  • Published: 2001
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  • Publisher: Unknown

This is the first in-depth survey of the oboe during its Golden Age, tracing the history of the instrument from its invention through its many mutations as it adapted to the changing demands of composers. The author describes in detail the instruments, players, makers, and composers, as well as how and where it was played, and who listened to it.

The Thorn of the Honey Locust
  • Language: en

The Thorn of the Honey Locust

A garden historian and a musicologist stumble on a long-forgotten manuscript containing information relevant to their two disciplines. The chronicle of Johann Caspar Gleditsch, a musician who worked closely with Johann Sebastian Bach, reveals a life rich in adventure, court intrigue, family dramas, and secrets hidden behind the manicured hedges of Leipzig's gardens. As they grapple with the chronicle's contents, and its personal account of the music in the time of Bach, Mark and Jeremy confront the growing attraction they feel towards each other. Geoffrey Burgess spins a tale of the mundane and the extraordinary in Germany at the dawn of the Age of Reason. Based on extensive research, The Thorn of the Honey Locust is shot through with intriguing glimpses of scientific experiments, botanical discoveries, and the musical practices of the time. It is the story of how the thorns of an American tree came to symbolize the unsettling antagonisms between father and son.

Principles of the Flute, Recorder, and Oboe
  • Language: en
  • Pages: 98

Principles of the Flute, Recorder, and Oboe

Originally published circa 1700, this is a milestone in the development of one of the oldest instruments. Features a new translation, with introduction and notes, by Paul Marshall Douglass. Includes 23 musical excerpts, 6 double-page fingering charts, more.

Music in Ancient Israel/Palestine
  • Language: en
  • Pages: 405

Music in Ancient Israel/Palestine

This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A.D. This is not a study of music in the Bible or music in biblical times but a unique, in-depth investigation of the historical periods and cultures that influenced the music of the region and its people. Braun combines significant archaeological findings -- musical instruments, terra cotta and metal figures, etched stone illustrations, mosaics -- with evidence drawn from writt...

Oboe
  • Language: en
  • Pages: 110

Oboe

  • Type: Book
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  • Published: 1961
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  • Publisher: Unknown

None

Soloistic English Horn Literature from 1736-1984
  • Language: en
  • Pages: 280

Soloistic English Horn Literature from 1736-1984

New York Times critic Harold Schonberg once commented that solo concerti for the English horn are as rare as fish with fur. Indeed, the common impression is that works composed specifically for the instrument are few and far between . However, William McMullen's thematic catalogue admirably refutes this notion, with 200 works that are originally written for a soloistic English horn; works that allow the player an opportunity to illustrate the instrument's unique expressive qualities in a solo setting. Each entry in the catalogue is divided into two main parts - one dealing with information about the composer, and the other supplying details about the work (instrumentation; date and place of composition/publication; numbers, titles and timings of movements; first performance dates; comments from the composer; and a description of any unusual technical demands upon the soloist). Thematic incipits are also included.