Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Oboe
The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic a...
The Pathetick Musician
Baroque oboists Bruce Haynes and Geoffrey Burgess established reputations as authorities on the history of their instrument with their co-authored book The Oboe, voted an outstanding achievement by the American Music Instrument Society. Haynes' writings, notably The End of Early Music, are known for pioneering new approaches in historical performance practice and inspiring healthy debate among scholars and performers of early music. Burgess, an instructor at the Eastman School of Music, recently published Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World, which combines the biography of a leading manufacturer of historic instruments with a history of the emerging early music scene in America. Bruce Haynes passed away in May, 2011.
The Eloquent Oboe
The Eloquent Oboe is a history of the hautboy, the oboe of the Baroque period. It reflects recent interest in this instrument, which was the first of the woodwinds to join with strings in creating the new orchestra, and had by the end of the 20th century again become a regular presence on the concert scene. Between 1640 and 1760 this type of oboe underwent dramatic changes in both function and physical form, and the majority of its solo and chamber repertoire appeared. Haynes examines in detail the hautboy's structure, its players, makers, and composers, issues of performing style and period techniques, how and where the instrument was played, and who listened to it.
Principles of the Flute, Recorder, and Oboe
Originally published circa 1700, this is a milestone in the development of one of the oldest instruments. Features a new translation, with introduction and notes, by Paul Marshall Douglass. Includes 23 musical excerpts, 6 double-page fingering charts, more.
Music in Ancient Israel/Palestine
This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A.D. This is not a study of music in the Bible or music in biblical times but a unique, in-depth investigation of the historical periods and cultures that influenced the music of the region and its people. Braun combines significant archaeological findings -- musical instruments, terra cotta and metal figures, etched stone illustrations, mosaics -- with evidence drawn from writt...
The End of Early Music
Publisher description
Soloistic English Horn Literature from 1736-1984
New York Times critic Harold Schonberg once commented that solo concerti for the English horn are as rare as fish with fur. Indeed, the common impression is that works composed specifically for the instrument are few and far between . However, William McMullen's thematic catalogue admirably refutes this notion, with 200 works that are originally written for a soloistic English horn; works that allow the player an opportunity to illustrate the instrument's unique expressive qualities in a solo setting. Each entry in the catalogue is divided into two main parts - one dealing with information about the composer, and the other supplying details about the work (instrumentation; date and place of composition/publication; numbers, titles and timings of movements; first performance dates; comments from the composer; and a description of any unusual technical demands upon the soloist). Thematic incipits are also included.
Oboemotions
"Purpose is to place the musical and technical study of the oboe within the context of a precise understanding of the human body" --Foreward.
A Clockwork Orange
Anthony Burgess reads chapters of his novel A Clockwork Orange with hair-raising drive and energy. Although it is a fantasy set in an Orwellian future, this is anything but a bedtime story. -The New York Times
Writing About Music
Table of contents: Preface 1. Music Terminology 2. Narrative Text 3. Citations 4. Musical Examples 5. Tables and Illustrations 6. The Printed Program 7. Electronics 8. Best Practices for Student Writers Appendix: Problem Words and Sample Style Sheet Bibliography.
