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Toward an Architecture
Published in 1923, Toward an Architecture had an immediate impact on architects throughout Europe and remains a foundational text for students and professionals. Le Corbusier urges readers to cease thinking of architecture as a matter of historical styles and instead open their eyes to the modern world. Simultaneously a historian, critic, and prophet, he provocatively juxtaposes views of classical Greece and Renaissance Rome with images of airplanes, cars, and ocean liners. Le Corbusier's slogans--such as "the house is a machine for living in"--and philosophy changed how his contemporaries saw the relationship between architecture, technology, and history. This edition includes a new translation of the original text, a scholarly introduction, and background notes that illuminate the text and illustrations.
The Imaginary Indian
A new edition of a classic North American text on the image of the Native in non-Native culture.
Rethinking Professionalism
The first collection of scholarly essays on women and art in Canadian history.
Challenging Frontiers
Challenging Frontiers: The Canadian West is a multidisciplinary study using critical essays as well as creative writing to explore the conceptions of the "West," both past and present. Considering topics such as ranching, immigration, art and architecture, as well as globalization and the spread of technology, these articles inform the reader of the historical frontier and its mythology, while also challenging and reassessing conventional analysis.
Conversations with a Dead Man
The second edition of Mark Abley’s acclaimed creative biography, revised and expanded with a new introduction by the author. When he died in 1947, Duncan Campbell Scott was revered as one of his country’s finest poets and honoured as a devoted civil servant. Today, because of his work as head of the Department of Indian Affairs, he's widely considered one of history's worst Canadians. When word of this reaches Scott's ghost, he returns to the land of the living to ask poet and journalist Mark Abley to clear his name, and in the ensuing research, Abley learns of a man who could somehow write vibrant poems about Indigenous people in one moment, and in another institute policies designed to...
Ancestral Portraits
Fred McDonald is a Cree Indian who grew up along the Athabasca River in northern Alberta, and received his MFA at the University of Calgary. His autobiography and community history is presented through an alternation of his paintings, poetry, and narratives. Annotation copyrighted by Book News, Inc., Portland, OR
Sights of Resistance
CD-ROM contains: Chapters from text -- Glossary.
The People of the Plains
In People of the Plains (first published in 1909), Amelia McLean Paget records her observations of the customs, beliefs, and lifestyles of the Plains Cree and Saulteaux among whom she lived.
Placing Memory and Remembering Place in Canada
Places are imagined, made, claimed, fought for and defended, and always in a state of becoming. This important book explores the historical and theoretical relationships among place, community, and public memory across differing chronologies and geographies within twentieth-century Canada. It is a collaborative work that shifts the focus from nation and empire to local places sitting at the intersection of public memory making and identity formation � main streets, city squares and village museums, internment camps, industrial wastelands, and the landscape itself. With a focus on the materiality of image, text, and artefact, the essays gathered here argue that every act of memory making is simultaneously an act of forgetting; every place memorialized is accompanied by places forgotten.
The Beribboned Bomb
Surrealism was ostensibly directed at the emancipation of the human spirit, but it represented only male aspirations and fantasies until a number of women artists began to redefine its agenda in the later 1930s. This book addresses the former, using a 'thick description' of the historically specific circumstances which required the male Surrealists to manufacture a sexual reputation of narcissism and misogyny. These circumstances were determined by 'hegemonic masculinity', an ideological construct which had little to do with individual masculinities. In male Surrealism, the 'beribboned bomb' signified something both attractive and volatile, a specific instance of the Surrealist principle of convulsive beauty. In hegemonic masculinity, similar devices served as metaphors of the sexuality all men were supposed to possess. The intersection of these two axes produced an imagery of unrepentant violence.
