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In J. S. Bach at His Royal Instrument, author Russell Stinson delves into various unexplored aspects of the organ works of Johann Sebastian Bach. Drawing on previous research and new archival sources, he sheds light on many of the most mysterious aspects of these masterpieces, and their reception, and shows how they have remained a fixture of Western culture for nearly three hundred years.
Yearsley explores the cultural significance of making music with hands and feet, a mode of performance unique to the organ.
"This is the third volume of the German Immigrants series (see also Items 6580, 6581, and 6583), this one listing passengers from Bremen to New York between 1863 and September 1867. Owing to the total destruction of the original Bremen passenger lists, this volume, like the others, is the only practical means of discovering information on thousands of individuals for whom immigrant origin data was thought to be irretrievably lost. In effect, it is a partial reconstruction of the Bremen records, based on official passenger lists and manifests in the custody of the National Archives. It is, therefore, a record of arrivals rather than departures, and it is the closest we are ever likely to come to duplicating information in the lost Bremen records"--Publisher website (December 2007).
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"The database includes extractions of more than 22,000 birth and marriage events ... for the Lutheran colonies of Glückstal, Neudorf, Bergdorf, Kassel, and their daughter colonies in the province of Cherson, Imperial Russia"--P. ii.