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The Formation of a Medieval Church
In this provocative account, Maureen Miller challenges traditional explanations of the process that changed the nature of religious institutions—and religious life itself—in the diocese of Verona during the early and central Middle Ages. Building on substantial archival research, she shows how demographic expansion, economic development, and political change helped transform religious ideals and ecclesiastical institutions into a recognizably "medieval" church.
A History of Curiosity
First Published in 2002. A History of Curiosity examines the early methodology of anthropological and social research from a criticalhistorical perspective. The three principal methods of research, travel, the survey and the collection of significant objects, are studied in the context of the social conditions and intellectual trends of early modern times. The author's grasp of the vast, often obscure, but highly interesting body of literature which emerged in the sixteenth to eighteenth centuries commands the attention of a wide readership outside purely academic boundaries. He weaves together a series of separate studies, emphasising links between the figures, the philosophies and the literatures of early modern times; links which have previously only been suspected. In focussing on the ars apodemica, or art of travelling'', a body of formal instructions on how to travel, observe and record the information gathered, the author demonstrates the origins of the characteristic inquisitive and systematizing spirit of the modern West.
Representing the Past in the Art of the Long Nineteenth Century
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
The Account Books of the Reimarus Family of Hamburg, 1728-1780 (2 vols.)
In The Account Books of the Reimarus Family of Hamburg, 1728-1780, Almut Spalding and Paul S. Spalding offer a two-volume critical edition of domestic records that open windows onto early modern Europe and the Enlightenment. They detail economic realities, social circles, cultural and educational pursuits, leisure activities, religious communities, and institutions in the life of a great city and a distinguished family. Volume one consists of the transcription, with an introduction and illustrations. Volume two is an extensive index. Hermann Samuel Reimarus and his daughter Margareta Elisabeth (Elise) Reimarus carefully maintained these records over fifty years. The former was a notable classicist, biblical scholar, animal behaviorist, and freethinker; the latter, leader of a literary salon, educator, translator, and author.
Print Culture at the Crossroads
This book investigates the importance of printing in early-modern Central Europe, revealing a complicated web of connections linking printers and scholars, Jews and Christians, from the Baltic to the Adriatic.
The Medici: Portraits and Politics 1512–1570
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 15...
