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This remarkable journal of an enlisted Federal soldier provides an abundance of fresh information on camp life, battles, picket duty, skirmishing and, ultimately, life in a Confederate prison. It includes descriptions of service with the IX Army Corps.
Poetry. George Hitchcock was a surrealist with a vast, playfully serious spirit in the universe of poetry. His is an art of carnivals, parades, and big brass instruments with top-hatted showmanship lit up on the page. His wild, vaudevillian style is saturated with a pure joy for words, but always with a reverence for meaning. THE WOUNDED ALPHABET collects over five decades of writing and contains twelve early collages that illustrate his ongoing painterly obsession with the juxtaposition of images.
"One-Man Boat: The George Hitchcock Reader" is an eclectic and lively anthology celebrating his colorful oeuvre--surreal, political, and found poems; provocative plays and short stories; candid interviews, reviews, and essays; and his (in)famous (and comically subversive) testimony before the House Un-American Activities Committee, reprinted from the Congressional Record."--Page 4 of cover.
On August 7, 1862, George Alfred Hitchcock (born in Massachusetts in 1844) was mustered into Company A, 21st Massachusetts Infantry. From this date until January 1, 1865, he kept a meticulous daily diary. His first experience in battle was at Fox's Gap on South Mountain, and then an attack across Burnside's Bridge at Antietam. Then came the disastrous Union advance toward Marye's Heights at Fredericksburg; a journey by rail to Paris, Kentucky, via Pittsburgh, Columbus (drunken 21st Infantry soldiers in conflict with local security) and Cincinnati; the protection of the Mount Sterling, Kentucky, area from guerrillas; an expedition from Camp Nelson through the Cumberland Gap to eastern Tennessee; Burnside's Knoxville campaign; the arduous winter return march to Camp Nelson with Confederate prisoners; efforts to regain his health and a return to the 21st Regiment; and a compelling account of his capture at Cold Harbor and imprisonment at Andersonville and Millen, Georgia, and Florence, South Carolina; and finally, his release.
On August 7, 1862, George Alfred Hitchcock (born in Massachusetts in 1844) was mustered into Company A, 21st Massachusetts Infantry. From this date until January 1, 1865, he kept a meticulous daily diary. His first experience in battle was at Fox's Gap on South Mountain, and then an attack across Burnside's Bridge at Antietam. Then came the disastrous Union advance toward Marye's Heights at Fredericksburg; a journey by rail to Paris, Kentucky, via Pittsburgh, Columbus (drunken 21st Infantry soldiers in conflict with local security) and Cincinnati; the protection of the Mount Sterling, Kentucky, area from guerrillas; an expedition from Camp Nelson through the Cumberland Gap to eastern Tennessee; Burnside's Knoxville campaign; the arduous winter return march to Camp Nelson with Confederate prisoners; efforts to regain his health and a return to the 21st Regiment; and a compelling account of his capture at Cold Harbor and imprisonment at Andersonville and Millen, Georgia, and Florence, South Carolina; and finally, his release.
Hitchcock writings about himself and his films
"Hitchcock's characters...repeatedly face problems and dangers rooted in our general failure to understand others or even ourselves very well, or to make effective use of what little we do understand. Vertigo, with its impersonations, deceptions, and fantasies, embodies a general, common struggle for mutual understanding in the late modern social world of ever more complex dependencies. By treating this problem through a filmed fictional narrative, rather than discursively, [the author] argues, Hitchcock is able to help us see the systematic and deep mutual misunderstanding and self-deceit that we are subject to when we try to establish the knowledge necessary for love, trust, and commitment, and what it might be to live in such a state of unknowingness."--
Architecture plays an important role In the films of Alfred Hitchcock. Steven Jacobs devotes lengthy discussion to a series of domestic buildings with the help of a number of reconstructed floor plans made specially for this book.
All this time Scarlett's thought her dad was a thief, but years after his death a strange man turns up at the door and hands her a box, "on her father's instructions". Inside is a baffling series of clues that leads Scarlett and her friend, Ellie, on a wild, scary, often funny journey of discovery about her father and his mysterious life. But the more the girls learn, the more danger they're in. They must stay one step ahead of the sinister mayoress and her chauffer as they race to unravel her dad's final clue: Keep looking up... From the acclaimed author of Saving Sophia and Murder in Midwinter. "Fleur Hitchcock has cornered the market in hard-boilers for beginners." - Alex O'Connell, The Times