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Translation is always a text about a text and hence it is a metatext. We translate by intuition. There is no 'Science of translating' though there are scientific theories of translation. In this book, the author has made a thorough analysis of various aspects of translation studies-both in the east and the west. Apart from making a background study of translation, he has analysed translation as creative writing, as linguistic bridge-building and as nation building. The book provides an authoritative steer to key approaches in translation studies. Each chapter gives an in-depth account of theoretical concepts, issues and studies. This is an intense and well researched book on translation studies in our country
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a new release of the original 1939 edition.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from George Pierce Andrews Descendant in the ninth generation of an un broken line of New England ancestors and was born at North Bridgeton, Maine, the twenty-ninth day of September 1835, and passed away at the City of New York on the twenty-fourth day of May 1902, in his sixty seventh year. His father was Colonel Solomon Andrews of F ryeburg, Maine, and his mother Sybil Ann Farnsworth of Bridgeton, Maine. The founder of this family was Captain Robert Andrews, who came to this country in 163 5 as owner and master of the ship Angel Gabriel, and settled in Ipswich, Massachusetts. His great-grandfather, Captain Abraham Andrews, was one of the Minute-men at the battle of Lexington. About...
"Dramatic Technique" by George Pierce Baker is a compilation of the playwriting techniques Baker came up with during his tenure as an English professor at Harvard. his book offers a breakdown of the elements of plays and playwriting in concise and straightforward terms. It is, after all, meant to be a manual to teach aspiring playwrights how to excel in their craft and create dramas audiences will love.