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Laugh and Live
“There is one thing in this good old world that is positively sure—happiness is for all who strive to be happy—and those who laugh are happy. Everybody is eligible—you—me—the other fellow. Happiness is fundamentally a state of mind—not a state of body. And mind controls”. Douglas Elton Fairbanks Sr. was an American actor, screenwriter, director, and producer. He was best known for his swashbuckling roles in silent films including The Thief of Bagdad, Robin Hood, and The Mark of Zorro, but spent the early part of his career making comedies.
Flickers of Desire
Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms "movie" and "star" was inconceivable prior to the 1910s. Flickers of Desire explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards...
Self-Exposure
Few features of contemporary American culture are as widely lamented as the public's obsession with celebrity--and the trivializing effect this obsession has on what appears as news. Nevertheless, America's "culture of celebrity" remains misunderstood, particularly when critics discuss its historical roots. In this pathbreaking book, Charles Ponce de Leon provides a new interpretation of the emergence of celebrity. Focusing on the development of human-interest journalism about prominent public figures, he illuminates the ways in which new forms of press coverage gradually undermined the belief that famous people were "great," instead encouraging the public to regard them as complex, interest...
The Movies as a World Force
The Movies as a World Force is the first analysis of utopian cinema writing; situating it in its proper intellectual contexts, theology, and political philosophy; and illustrating the ways in which its utopian imagination shapes and is shaped by the era's most prestigious film genre, the historical crowd epic.
Douglas Fairbanks and the American Century
Douglas Fairbanks and the American Century brings to life the most popular movie star of his day, the personification of the Golden Age of Hollywood. At his peak, in the teens and 1920s, the swashbuckling adventurer embodied the new American century of speed, opportunity, and aggressive optimism. The essays and interviews in this volume bring fresh perspectives to his life and work, including analyses of films never before examined. Also published here for the first time in English is a first-hand production account of the making of Fairbanks's last silent film, The Iron Mask. Fairbanks (1883–1939) was the most vivid and strenuous exponent of the American Century, whose dominant mode after...
Without Lying Down
Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from 1912 through the 1940s. Frances Marion was Hollywood's highest paid screenwriter—male or female—or almost three decades, wrote almost 200 produced films and won Academy Awards for writing "The Big House" and "The Champ."
The First King of Hollywood
Theatre Library Association's Wall Award Finalist Silent film superstar Douglas Fairbanks was an absolute charmer. Irrepressibly vivacious, he spent his life leaping over and into things, from his early Broadway successes to his marriage to the great screen actress Mary Pickford to the way he made Hollywood his very own town. The inventor of the swashbuckler, he wasn't only an actor—he all but directed and produced his movies, and in founding United Artists with Pickford, Charlie Chaplin, and D. W. Griffith, he challenged the studio system. But listing his accomplishments is one thing and telling his story another. Tracey Goessel has made the latter her life's work, and with exclusive acce...
The Divo and the Duce
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the post–World War I American climate of isolationism, nativism, democratic expansion of civic rights, and consumerism, Italian-born star Rodolfo Valentino and Italy’s dictator Benito Mussolini became surprising paragons of authoritarian male power and mass appeal. Drawing on extensive archival research in the United States and Italy, Giorgio Bertellini’s work shows how their popularity, both political and erotic, largely depended on the efforts of public opinion managers, including publicists, journalists, and even ...
