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In the late sixteenth through seventeenth centuries, England simultaneously developed a national market and a national literary culture. Writing at the Origin of Capitalism describes how economic change in early modern England created new patterns of textual production and circulation with lasting consequences for English literature. Synthesizing research in book and media history, including investigations of manuscript and print, with Marxist historical theory, this volume demonstrates that England's transition to capitalism had a decisive impact on techniques of writing, rates of literacy, and modes of reception, and, in turn, on the form and style of texts. Individual chapters discuss the...
William Poole recounts Milton's life as England’s self-elected national poet and explains how the greatest poem of the English language came to be written. How did a blind man compose this staggeringly complex, intensely visual work? Poole explores how Milton’s life and preoccupations inform the poem itself—its structure, content, and meaning.
Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.
Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
Publisher description
The essays in this collection range across literature, aesthetics, music and art, and explore such themes as the dynamics of change in eighteenth-century aesthetics; time, modernity and the picturesque; the function of graphic ornaments in eighteenth-century texts; imaginary voyages as a literary genre; the genesis of children’s literature; the Italian opera and musical theory in Frances Burney’s novels; Italian and British art theories; and patterns of cultural transfers and of book circulation between Britain and Italy in the eighteenth century. Collectively they epitomise the concerns and approaches of scholars working on the long eighteenth century at this challenging and exciting ti...
In this thoughtful and engaging book, Joseph M. Levine reveals how Renaissance humanists and their neoclassical progeny transformed the ways that the English practices history and viewed the past. Between 1500 and 1800, many of the methods of modern historiography were first introduced into England, where they developed under the influence of classical philology and the study of antiquities. English scholars gradually differentiated past from present and successfully detected and recovered the ancient Roman, Saxon, Celtic, and Norman cultures. A first attempt was also made to distinguish historical fact from fiction, and such legends as the Trojan origins of Britain and the Donation of Const...