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American Indian Nations
A virtual Who's Who of Native American scholars, activists, and community leaders reflect on the problems and achievements of Native American peoples over the last several decades.
Beauty, Honor and Tradition
"Beauty, Honor, and Tradition: The Legacy of Plains Indian Shirts represents a powerful collaboration between two great museums - the National Museum of the American Indian/Smithsonian Institution, and The Minneapolis Institute of Arts - and two curators, father and son members of the A'aninin Indian Tribe of Montana. George P. Horse Capture, and his son, Joseph D. Horse Capture, bring different insights to this project as they explore new relationships among the shirts, the shirtmakers, the historians and scholars, and the audience of Indians and non-Indians alike."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A Song for the Horse Nation
Presents an illustrated examination of the role of horses in Native American culture and history, providing information on the depiction of horses in tribal clothing, tools, and other objects.
Robes of Splendor
This is the first U.S. publication of an extraordinary collection of native American art, unknown to contemporary American audiences. For centuries, ornamental robes made of buffalo hide were painted by artists of the various Indian nations. Brought back to the French kings in the eighteenth century, the robes represented here are now housed in the Musee de l'Homme in Paris, and together they make a stunning tribute to a bygone art form. These robes, spectacularly executed and perfectly conserved, offer an incomparable pictographic representation of early native American life. As George P. Horse Capture observes in his essay on the craft and history of buffalo hide painting, we see the large...
Voices of a Thousand People
Voices of a Thousand People is the story of one Native community?s efforts to found their own museum and empower themselves to represent their ancient traditional lifeways, their historic experiences with colonialism, and their contemporary efforts to preserve their heritage for generations to come. This ethnography richly portrays how a community embraced the archaeological discovery of Ozette village in 1970 and founded the Makah Cultural and Research Center (MCRC) in 1979. Oral testimonies, participant observation, and archival research weave a vivid portrait of a cultural center that embodies the self-image of a Native American community in tension with the identity assigned to it by others.
War Stories
Plains Indian biographic rock art can be “read” by those knowledgeable in its lexicon. Presented is a lexicon of imagery, conventions, and symbols used by Plains Indians to communicate their warfare and social narratives. The reader is introduced to Plains Indian “warrior” art in all media, biographic art as picture writing is explained, and the lexicon is described, providing a pictographic “dictionary,” and explains conventions and connotations. Finally, it illustrates four key examples of how these narratives are read by the observer. Familiarity with the lexicon will enable interested scholars and laypersons to understand what are otherwise enigmatic rock art drawings found from Calgary, Alberta through ten U.S. states, and into the Mexican state of Coahuila.
American Indian Activism
The American Indian occupation of Alcatraz Island was the catalyst for a more generalized movement in which Native Americans from across the country have sought redress of grievances as they continue their struggle for survival and sovereignty. In this volume, some of the dominant scholars in the field join to chronicle and analyze Native American activism of the 1960s and 1970s. The book also provides extended background and historical analysis of the Alcatraz takeover and discusses its place in contemporary Indian activism.
What's the Most Beautiful Thing You Know about Horses?
On January's coldest day of the year in a small community in the Northwest Territories, a stranger to horses searches among family and friends for answers to an important question. It's forty below in the little town of Fort Smith in the Northwest Territories of Canada -- so cold that the ravens refuse to fly and author Richard Van Camp can't go outside. He belongs to the Dogrib tribe, whose people traditionally haven't used horses. To help pass the time, he decides to pose the question, "What's the most beautiful thing you know about horses?" to family members, friends, and artist George Littlechild, who is Plains Cree and knows a lot about horses. The answers range from zany to profound: Horses can run sideways; they have secrets; they can always find their way home. In this delightful new book, Littlechild's fanciful paintings perfectly capture Van Camp's gentle world-view. Together, they inspire readers to see the world in entirely new ways.
North American Indian Art
Artistic traditions of indigenous North America are explored in a study that draws on the testimonies of oral tradition, Native American history, and North American archaeology, focusing on the artists themselves and their cultural identities. Original.
American Serengeti
America's Great Plains once possessed one of the grandest wildlife spectacles of the world, equaled only by such places as the Serengeti, the Masai Mara, or the veld of South Africa. Pronghorn antelope, gray wolves, bison, coyotes, wild horses, and grizzly bears: less than two hundred years ago these creatures existed in such abundance that John James Audubon was moved to write, "it is impossible to describe or even conceive the vast multitudes of these animals." In a work that is at once a lyrical evocation of that lost splendor and a detailed natural history of these charismatic species of the historic Great Plains, veteran naturalist and outdoorsman Dan Flores draws a vivid portrait of ea...
