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The Enigmatic Narrator
Although John Donne enjoyed a reputation as a «visitor of ladies» during his lifetime, the poetry that he left in manuscript can lead modern readers to doubt that the objects of his affections were always women. Klawitter's study contends that, in Donne's later poems that have traditionally been read as heterosexual expressions of love, readers can find themselves lost in a welter of pronouns that, often insufficiently determinate of gender, can fit convincingly in a homoerotic context.
A Little World Made Cunningly
A Little World Made Cunningly brings together the author's best poems written over the past ten years in free-form verse and traditional forms, including the sonnet. Many of the poems rely on classroom experiences garnered from a teaching career of fifty-seven years. Family memories account for other poems, and the author's reactions to artistic creations, especially paintings and ceramics, inspired many of the pieces. An undercurrent of religious sensibility is rarely far from the poems, but creed and doctrine never comprise subject matter. This is a collection for multiple readers, an audience not far from ordinary experience.
Poems of Richard Barnfield
Richard Barnfield is an important Elizabethan poet whose work continues to gather appreciation from readers and critics alike. He was a brave voice in the English Renaissance who dared to publish poetry about one man's love for another man. In his student days in London, he published pastoral verse. Later his poetry turned didactic, but he never lost his gentle sense of line and image. For an unknown reason, he was disinherited by his father in favor of a younger brother, and Richard Barnfield lies today in an unmarked grave. His poetry continues to delight and amaze readers.
Country Matters
George Klawitter, professor of English, teaches at St. Edward’s University where he chairs the Department of English Literature. Previously he taught at Holy Cross College in South Bend, Indiana, and Viterbo University in La Crosse, Wisconsin. He holds an undergraduate degree from the University of Notre Dame, a master’s degree in English language and literature from the University of Michigan, and a doctorate in Renaissance literature from the University of Chicago. He has edited the poetry of Richard Barnfield and published The Enigmatic Narrator, a study of John Donne’s love poetry. His articles have appeared in Comparative Drama, Mediaevalia, Explorations in Renaissance Culture, and University of Hartford Studies in Literature.
Gareth
Gray Eyes Quiet over steel, gray eyes focus from his soul out into a light murky with the smoke that night mists from the evenings hocus-pocus. Useless to resist the power of his eyes when they fix you with a stare meant to kill, then eat, over glare from iris glinting off the starry skies. No message from the touch of quiet paws as he firms, intent for a strike lightning-swift, jagged, nothing like the velvet rationale of laws. Once youre meshed between his teeth, accept new life his way through his flesh, turgid, understood hes master, the guess of no absorbed to yes above, beneath.
The Variorum Edition of the Poetry of John Donne, Volume 4.2
This volume, the ninth in the series of The Variorum Edition of the Poetry of John Donne, presents newly edited critical texts of 25 love lyrics. Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, Volume 4.2 details the genealogical history of each poem, accompanied by a thorough prose discussion, as well as a General Textual Introduction of the Songs and Sonets collectively. The volume also presents a comprehensive digest of the commentary on these Songs and Sonets from Donne's time through 1999. Arranged chronologically within sections, the material for each poem is organized under various headings that complement the volume's companions, Volume 4.1 and Volume 4.3.
Shakespeare, Authority, Sexuality
Shakespeare, Authority, Sexuality is a powerful reassessment of cultural materialism as a way of understanding textuality, history and culture, by one of the founding figures of this critical movement. Alan Sinfield examines cultural materialism both as a body of ongoing argument and as it informs particular works by Shakespeare and his contemporaries, especially in relation to sexuality in early-modern England and queer theory. The book has several interlocking preoccupations: theories of textuality and reading the political location of Shakespearean plays and the organisation of literary culture today the operation of state power in the early-modern period and the scope for dissidence the ...
The Pulse of Praise
"Guernsey draws on D. W. Winnicott's object relations model, which focuses on self-development in a relational context, to illuminate various senses of self and Other that Herbert's poems express discursively and formally. The book will appeal not only to Herbert scholars and other Renaissance critics but also to audiences interested in psychoanalysis and how it relates to literature, religion, culture, and poetics."--BOOK JACKET.
The Facts on File Companion to British Poetry Before 1600
Some of the most important authors in British poetry left their mark onliterature before 1600, including Geoffrey Chaucer, Edmund Spenser, and, of course, William Shakespeare. "The Facts On File Companion to British Poetry before 1600"is an encyclopedic guide to British poetry from the beginnings to theyear 1600, featuring approximately 600 entries ranging in length from300 to 2,500 words.
The Poems of Charles O'donnell, Csc
Charles ODonnell deserves to be better known than he is. Many of his lyrics are so finely crafted they can rank with the best verses of his time, and some are touchstones: a delicate scent of Keats in The Silver Birch, a gentle reminder of Villon in New Saints for Old. He spoke highly of Emily Dickinson before she was fashionable, and he brushed shoulders with important poets, hosting William Butler Yeats at the University of Notre Dame, spending days with good friend Joyce Kilmer. Some of his finest moments were reserved for tributes to the dead and musing on natural beauty. He celebrates the great and the not so great. He chronicles war, and he muses on triumphs. Everywhere ODonnell surprises a reader with fresh images and phrases: sandaled with violets, snowed over with the moonlight. These are the words of a significant voice who apprehends the world with new energy and can translate experience into language with easeful art. Some of his poems stun with such metaphysical splendor that a reader is forced to consider the lines repeatedly. Suspending disbelief will bring readers hours of joy feeling the world as ODonnell felt it a century ago.
