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Heroes of Unwritten Story
The early United Automobile Workers union comes vividly to life in this "participant's account" of the development of an organization that once embodied the promise of the American labor movement. Henry Kraus, a UAW founder and the foremost labor journalist of that time, combines interviews conducted more than fifty years ago with a decade of more recent archival research to present a richly detailed account of the union's beginnings. Kraus introduces scores of rank-and-file union members and leaders. Veteran organizer Wyndham Mortimer and labor pioneers Walter, Roy, and Victor Reuther, George Addes, Robert Travis, Ed Hall, and Richard Frankensteen - all are brought to life and depicted complete with personal virtues and individual foibles. The chronicle ends in 1939 as the author plans to start work on what would become his first hook, The Many and the Few.
Cocktails with George and Martha
'Well-researched ... I was fascinated' Roger Lewis, Daily Mail From its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalised critics but magnetised audiences. Then, Hollywood took a colossal gamble on Albee's sophisticated play and won. Co-starring Elizabeth Taylor and Richard Burton, the sensational 1966 film won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its creators' inexperience, and its stars' own tumultuous marriage, is one of the most riveting stories in all of cinema. Acclaimed author Philip Gefter traces Woolf from its hushed origins in Greenwich Village, through its tormented production process, to its explosion onto screens and permanent place in the canon of cinematic marriages. He explores how two couples - one fictional, one all too real - brought to light our most deeply held myths about relationships, sex, family, and, against all odds, love.
Amish and Amish Mennonite Genealogies
This encyclopedia for Amish genealogists is certainly the most definitive, comprehensive, and scholarly work on Amish genealogy that has ever been attempted. It is easy to understand why it required years of meticulous record-keeping to cover so many families (144 different surnames up to 1850). Covers all known Amish in the first settlements in America and shows their lineage for several generations. (955pp. index. hardcover. Pequea Bruderschaft Library, revised edition 2007.)
Bringing Up Baby
Bringing Up Baby (1938) is the essence of thirties screwball comedy. It is also quintessential Howard Hawks, treating many of the director's favorite themes, particularly the loving war between the sexes. Bringing Up Baby features Katharine Hepburn as a flaky heiress and Cary Grant as an absentminded paleontologist, roles in which they come into their own as stars and deliver particularly fine comic performances. Pauline Kael has called the film the "American movies' closest equivalent to Restoration comedy." The comparison is based on the quick repartee and witty dialogue, a hallmark of Hawks's work and well conveyed here by Gerald Mast's transcription from the screen.
