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Ernest Hemingway revolutionized the American short story, establishing himself as a master of realist fiction in the tradition of Guy de Mauppasant. Yet none of Hemingway's emulators has succeeded in duplicating his understated, minimalist style. In his Iceberg Theory of fiction, only the tip of the story is seen on the surface--the rest is submerged out of sight. This study surveys the scope of Hemingway's mastery of the short story form, enabling a fuller understanding of such works as "Indian Camp," "Big Two-Hearted River," "The Killers," "The Mother of a Queen," "In Another Country," "Hills Like White Elephants," "The Snows of Kilimanjaro," and "The Mercenaries," among many others. All 13 stories from his underrated Winner Take Nothing collection are evaluated in detail.
"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road ...
The life and career of American poet and writer Elizabeth Bishop falls into two distinct segments: the pre-Brazil years and the Brazil years and beyond. A creature of displacement from childhood, Bishop traveled to Brazil at the age of 40 for a two-week trip and unexpectedly stayed for most of the next two decades, a sojourn that marked her work indelibly. This study explores how Bishop's personal and literary experience in Brazil influenced her work culturally, historically, and linguistically, while she was in Brazil and following her return to the United States. Focusing on the "Brazilian" characteristics of Bishop's work as well as some of the major poems she composed before settling in Brazil, this volume offers fresh perspective on one of the 20th century's most celebrated writers.
This book brings together almost all of the known interviews Elizabeth Bishop gave over a period of thirty years. Included also are a few selected pieces based on conversations with her. All together they allow her ardent and admiring readers a rewarding, close-up encounter with one of America's great writers. In this collection of conversations Bishop expresses her opinions about various types of poetry, describes her view of the geography of the imagination in the writing process, defends her often criticized feminist views, and discusses her role as teacher and poet. Elizabeth Bishop (1911-1979) won many prizes for poetry, including a Pulitzer Prize and a National Book Award. She was graduated from Vassar, where she knew Mary McCarthy. She taught at Harvard, New York University, and the University of Washington and was a long-time resident in Brazil.
Out there in the Atlantic between Europe and America, in the midst of often rough seas, the nine islands of the Azores rise above the surface, constantly transformed by overactive volcanoes and shaken by earthquakes. As John Updike observed, the islands of the archipelago resemble "Great green ships themselves," as "they ride at anchor forever; beneath the tide." In The Sea Within, George Monteiro and Onésimo T. Almeida bring together a diverse collection of poems that showcase the ocean's central presence in Azorean life and culture.
English as she is spoke by Jose de Fonseca is a befuddled Portuguese-to-English dictionary which was intentionally published as a humorous guide. Excerpt: "A choice of familiar dialogues, clean of gallicisms, and despoiled phrases, it was missing yet to studious Portuguese and Brazilian Youth; and also to persons of others nations, that wish to know the Portuguese language. We sought all we may do, to correct that want, composing and devising the present little work in two parts."
Cover -- Contents -- Preface -- Chapter 1: Pride and Prejudice -- Chapter 2: The March King -- Chapter 3: Poems, Persons, and Things -- Chapter 4: Fiction Writers -- Chapter 5: Weld Street Memories -- Chapter 6: Family Matters -- Chapter 7: Hostage to Fortune -- Chapter 8: Provincetown Laureate -- Chapter 9: Two Roads Diverged -- Chapter 10: Isolato in Manhattan -- Chapter 11: Canadian 'Gees -- Chapter 12: Life on the Tenth Island -- Chapter 13: A Passion for Thomas Wolfe -- Chapter 14: A Ballad about Stonington -- Chapter 15: The First 'Gees -- Chapter 16: Classic Novels in Translation -- O Primo Basílio -- Os Fidalgos da Casa Mourisca -- Appendix -- Chapter 17: The Provincetown Go-between -- Chapter 18: "Old-country" Movies -- Chapter 19: Words Beget Dreams -- Chapter 20: No Word for Saudade -- Chapter 21: The Shiftless Azoreans -- Biographical Note -- Bibliography
Eighteen short essays by the most distinguished international scholars examine Pessoa's influences, his dialogues with other writers and artistic movements, and the responses his work has generated worldwide. Portuguese writer Fernando Pessoa claimed that he did not evolve, but rather travelled. This book provides a state of the art panorama of Pessoa's literary travels, particularly in the English-speaking world. Its eighteen short, jargon-free essays were written by the most distinguished Pessoa scholars across the globe. They explore the influence on Pessoa's thinking of such writers as Whitman and Shakespeare, as well as his creative dialogues with figuresranging from decadent poets to t...
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.