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Award-winning author-illustrator Don Tate celebrates the first southern Black writer to be published in this first-ever picture book biography of George Moses Horton. George loved words, but he was also enslaved. Forced to work long hours, he was unable to attend school or learn how to read. But he was determined―he listened to the white children's lessons and learned the alphabet. Then he taught himself to read. Soon, he began composing poetry in his head and reciting it aloud as he sold fruits and vegetables on a nearby college campus. News of the enslaved poet traveled quickly among the students, and before long, George had customers for his poems. But George was still enslaved. Would he ever be free? In this powerful biography, Don Tate tells an inspiring and moving story of talent and determination.
a book in the South, and the only slave to earn a significant income through the sale of his poems. As a man and as a poet, Horton's achievements were extraordinary. In this volume, Joan Sherman collects sixty-two of Horton's poems. Her comprehensive introduction - which combines biography, history, cultural commentary, and critical insight - presents a compelling and detailed picture of this remarkable man's life and art. Covering a wide range of poetical subjects in.
This is a volume of poems written by an African American who was born into slavery on William Horton's plantation in Northampton County, North Carolina.
The prophetic poetry of slavery and its abolition During the pitched battle over slavery in the United States, Black writers—enslaved and free—allied themselves with the cause of abolition and used their art to advocate for emancipation and to envision the end of slavery as a world-historical moment of possibility. These Black writers borrowed from the European tradition of Romanticism—lyric poetry, prophetic visions--to write, speak, and sing their hopes for what freedom might mean. At the same time, they voiced anxieties about the expansion of global capital and US imperial power in the aftermath of slavery. They also focused on the ramifications of slavery's sexual violence. Authors...
Slaves in chains, toiling on master’s plantation. Beatings, bloodied whips. This is what many of us envision when we think of 19th century African Americans; source materials penned by those who suffered in bondage validate this picture. Yet slavery was not the only identity of 19th century African Americans. Whether they were freeborn, self-liberated, or born in the years after the Emancipation, African Americans had a rich cultural heritage all their own, a heritage largely subsumed in popular history and collective memory by the atrocity of slavery. The early 19th century birthed the nation’s first black-owned periodicals, the first media spaces to provide primary outlets for the empo...
This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes.
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated. Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild. Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and Af...
Life of George M. Horton, The Colored Bard of North-Carolina is a short autobiography by the famous African-American poet.
'Galvanises us to notice and care about our glorious natural world, through the words of an army of poets, ancient and modern' – Bel Mooney An anthology of poems to enter the bloodstream and rewild the spirit. As with all life on Earth, the climate emergency, species extinction, ecological disaster, global pandemics, economic collapse, war, genocide and social injustice are all interconnected — how do we face our fears? How do we find the courage to rebel against forces ranged against the Earth? This galvanising collection of poems spans 4,000 years of human history. Ranging from Nikolai Duffy's 'Against Metaphor' and Lord Byron's 'Darkness' to Allen Ginsberg's evocative 'Sunflower Sutra' and Jean 'Binta' Breeze's 'Tweet Tweet'. This book is not just a sanctuary in which to find solace from environmental grief but a manual for psychic resistance in the war against Nature. As Pablo Neruda said, 'Poetry is rebellion.'