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As statutes and regulations increasingly inhibit the rights of private landowners, the restrictive covenant has subtly emerged as one of the few remaining tools of property control available to the freeholder of land. This new edition discusses recent case law and its far-reaching effects on the jurisdiction of the Lands Tribunal, the modification or discharge of covenants and the compensation required It also incorporates rent charge covenants and other use obligations, and the problems of consent and breach Detailed chapters are included on procedure in Lands Tribunal applications
George Parfitt aims to recover a sense of the poetry of the war and places it in a context of national, cultural, and literary history. One of his aims is to recover a sense of the range of responses to the war that were recorded in the poetry of the time, and to suggest that the tendency to focus on just a few well-known figures (Brooke, Owen, and Sassoon) distorts our sense of what the poetry can tell us about the war itself and its appalling effects. Contents: 1 Overviews; 2 Cleansing and Ruper Brooke; 3 Satire and Siegfried Sassoon; 4 The Voice of the Noncommissioned; 5 Belief and Wilfred Owen; 6 England: Country and History; 7 Robert Graves; 8 Reception and Valuing; Conclusion; Bibliography.
First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Empire on the English Stage 1660-1714 analyzes Restoration and early eighteenth-century drama in terms of empire.
Written by one of the editors of the new complete works of Henry Vaughan, Keeping the Ancient Way is the first book-length study of the poet by a single author for twenty years. It deals with a number of key topics that are central to the understanding and appreciation of this major seventeenth-century writer. These include his debt to the hermetic philosophy espoused by his twin brother (the alchemist, Thomas Vaughan); his royalist allegiance in the Civil War; his loyalty to the outlawed Church of England during the Interregnum; the unusual degree of intertextuality in his poetry (especially with the Scriptures and the devotional lyrics of George Herbert); and his literary treatment of the ...
This book examines the writing and manuscript publication of key authors from 1550 to 1800.
Most of the poems in George Herbert's TheChurch (1633) are one-of-a-kind irregularlyshaped anomalies. By employing the dimeter infifty of the one hundred and sixty poems, Herbertwas able to create a wide variety of outlinepatterns. The poems that contain lines of two-feetnot only include silhouettes of objects (e.g., Easter Wings and The Altar), but also shapes thatmirror physical movement and internal processesas well.After reviewing how the dimeter functions in non-dramatic English poetry published before 1633and what is given shape in Greek, neo-Latin, andEnglish figure poetry preceding The Church, Idiscuss in great detail how George Herbert walksoutside any practice before him by means of histwo-feet to radically fuse content and form. Asthe words become the flesh of forms, simultaneously each fresh incarnation looks,works and speaks the word that gives it life.