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This in-depth study offers a new examination of a region that is often overlooked in political histories of the Bluegrass State. George G. Humphreys traces the arc of politics and the economy in western Kentucky from avid support of the Democratic Party to its present-day Republican identity. He demonstrates that, despite its relative geographic isolation, the region west of the eastern boundary of Hancock, Ohio, Butler, Warren, and Simpson Counties to the Mississippi River played significant roles in state and national politics during the New Deal and postwar eras. Drawing on extensive archival research and oral history interviews, Humphreys explores the area's political transformation from a solid Democratic voting bloc to a conservative stronghold by examining how developments such as advances in agriculture, the diversification of the economy, and the civil rights movement affected the region. Addressing notable deficiencies in the existing literature, this impressively researched study will leave readers with a deeper understanding of post-1945 Kentucky politics.
(Book). The late Lowell George is best known as the lead singer, slide guitarist, songwriter and producer of Little Feat. George's humor and surreal lyrics became a Little Feat trademark, making songs like "Fat Man in the Bathtub" and "Dixie Chicken" unforgettable. Rock and Roll Doctor explores the genius that animated Little Feat from George's early bands to his work with Frank Zappa, landmark albums such as Feats Don't Fail Me Now and The Last Record Album , and his later production work with Linda Ronstadt and the Grateful Dead. George's colorful childhood is covered in depth as is his solo career after Little Feat that was cut short tragically. Each Little Feat album is treated to a separate chapter that examines the development of every song how it was conceived, recorded and produced. The analysis of Little Feat's complex rhythms will fascinate musicians and fans alike. "Lowell George was the best singer, songwriter and guitar player I have ever heard, hands down, in my life." Bonnie Raitt
The 1940s saw a brief audacious experiment in mass entertainment: a jukebox with a screen. Patrons could insert a dime, then listen to and watch such popular entertainers as Nat "King" Cole, Gene Krupa, Cab Calloway or Les Paul. A number of companies offered these tuneful delights, but the most successful was the Mills Novelty Company and its three-minute musical shorts called Soundies. This book is a complete filmography of 1,880 Soundies: the musicians heard and seen on screen, recording and filming dates, arrangers, soloists, dancers, entertainment trade reviews and more. Additional filmographies cover more than 80 subjects produced by other companies. There are 125 photos taken on film sets, along with advertising images and production documents. More than 75 interviews narrate the firsthand experiences and recollections of Soundies directors and participants. Forty years before MTV, the Soundies were there for those who loved the popular music of the 1940s. This was truly "music for the eyes."
Given the explosion in recent years of scholarship exploring the ways in which disability is manifested and performed in numerous cultural spaces, it’s surprising that until now there has never been a single monograph study covering the important intersection of popular music and disability. George McKay’s Shakin’ All Over is a cross-disciplinary examination of the ways in which popular music performers have addressed disability: in their songs, in their live performances, and in various media presentations. By looking closely into the work of artists such as Johnny Rotten, Neil Young, Johnnie Ray, Ian Dury, Teddy Pendergrass, Curtis Mayfield, and Joni Mitchell, McKay investigates such questions as how popular music works to obscure and accommodate the presence of people with disabilities in its cultural practice. He also examines how popular musicians have articulated the experiences of disability (or sought to pass), or have used their cultural arena for disability advocacy purposes.
Mary Cochrane Rogers' book 'Rogers' Rock, Lake George, March 13, 1758: A Battle Fought on Snow Shoes' delves into the historical account of a lesser-known but crucial battle during the French and Indian War. Through meticulous research and vivid storytelling, Rogers vividly portrays the hardships endured by the soldiers who fought in this unique winter battle, shedding light on a lesser-known aspect of colonial warfare. The book expertly captures the tension and drama of the battle, making it a captivating read for history enthusiasts and scholars alike. Rogers' writing style is engaging yet scholarly, providing a thorough examination of the events leading up to and following the battle. The...
Out of Our Heads is the Rare Book That is Unafraid to celebrate rock'n' roll's druggy good times-before the uptight killjoys and self-righteous reformists came along and spoiled the party.
George Lawrence Stone's Stick Control is the original classic, often called the bible of drumming. In 1993, Modern Drummer magazine named it one of the top 25 drumming books of all-time. In the words of the author, this is the ideal book for improving "control, speed, flexibility, touch, rhythm, lightness, delicacy, power, endurance, preciseness of execution, and muscular coordination," with extra attention given to the development of the weak hand. This indispensable book for drummers of all types includes hundreds of basic to advanced rhythms and moves through categories of single-beat combinations, triplets, short roll combinations, flam beats, flam triplets and dotted notes, and short roll progressions.
General George H. Thomas, the “Rock of Chickamauga” of the history books, was a Virginian who chose the northern side in the Civil War. While Thomas was considered a traitor by his family, his military superiors regarded him with a certain mistrust because of his southern background. Nonetheless, Thomas was prominent in the battles of Mill Springs, Shiloh, Corinth, Perryville, and Nashville, and was immortalized at Chickamauga, where he tenaciously held the field until ordered to withdraw.