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First published in 1983, Dean Swift is the concluding book in a series of three volumes providing a detailed exploration of the events of Swift’s life. The third volume follows Swift’s life and career from 1714 to 1745 and sets it against the public events of the age, paying close attention to political and economic change, ecclesiastical problems, social issues, and literary history. It traces Swift’s rise to becoming first citizen of Ireland and looks in detail at the composition, publication, and reception of Gulliver’s Travels, as well as many of Swift’s other works, both poetry and prose. It also explores Swift’s later years, his love affairs with Esther Johnson and Esther Vanhomrigh, his complicated friendships with Pope, Lord Bolingbroke, and Archbishop King, and his declining health. Dean Swift is a hugely detailed insight into Swift’s life from 1714 until his death and will be of interest to anyone wanting to find out more about his life and works.
This authoritative edition was first published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Pope's poetry and prose - the major poems in their entirety, together with translations, criticism, letters and other prose - to give the essence of his work and thinking. Pope has often been termed the first truly professional poet in English, whose dealings with the book trade helped to produce the literary market-place of the nineteenth and twentieth centuries. In this representative selection of Pope's most important work, the texts are presented in chronological sequence so that the Moral Essays and Imitations of ...
Here for the first time are gathered together the extant letters of George Faulkner, Irish printer in eighteenth-century Dublin. These firsthand accounts give an unprecedented view of Anglo-Irish social and political events, as well as a view of an Anglo-Irish printer-publisher at work. Faulkner discusses a wide range of subjects, including theatrical events, attacks on political enemies (he himself was often the subject of political attack), and London parties with Lord Chesterfield, Tobias Smollet, and Samuel Johnson. In his interesting sketch of the Irish printer, Robert E. Ward has included excerpts from Faulkner's Dublin Journal which show the ambiguity in Irish life—violence, on the one hand, and, on the other, light-hearted entertainment. Other articles from his newspaper show Faulkner's attempts to steer a neutral course between English and Irish politics.
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