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The Great Irish Famine
This is the most wide-ranging series of essays ever published on the Great Irish Famine, and will prove of lasting interest to the general reader. Leading historians, economists and geographers – from Ireland, Britain and the United States – have assembled the most up-to-date research from a wide spectrum of disciplines including medicine, folklore and literature, to give the fullest account yet of the background and consequences of the Famine. Contributors include Dr Kevin Whelan, Professor Mary Daly, Professor James Donnelly and Professor Cormac Ó Gráda. The Great Irish Famine was the first major series of essays on the Famine published in Ireland for almost fifty years.
Rebel Sounds
'Empathy is the currency of all music and Joe Mulhall does a great job of explaining how that quality has been used to generate solidarity for the struggle and sympathy for those who suffer injustice' Billy Bragg 'A beautiful account of how music has unified, healed and inspired humanity during some of history's darkest days. Illuminating, uplifting and important' James O'Brien While the global history of the dictatorships, oppression, racism and state violence over the last century is well known - the role that music played in people's lives during these times is less understood. This book is a collection of stories and hidden histories about how music provided light in the darkest of times...
Footsteps of 'Liberty and Revolt'
A collection of essays exploring the impact on Welsh culture of one of the most exciting periods in history, the decades surrounding the French Revolution of 1789.
Songs of Irish Rebellion
This classic collection is a discussion of songs that gave utterance to the opinions and feelings of an important part of the Irish people in political, social, and religious feelings. First published in 1966, this is a new edition with corrections and additional notes. The songs, which were within the reach of all strands of society, were not only an expression of the singers' and listeners' feelings or opinions but also a form of propaganda. And when printers invested in them with the production of broadsheets and booklets, they became an industry. Thus, as the author states in his introduction, they are a curious melting pot for different kinds of literature or sub-literature.
Party Pieces
“Irishness” has often meant self-dramatization because Ireland is commonly represented, and has historically represented itself, as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and they sought both to evoke and exhaust the resources and rhythms of language and performance. In this groundbreaking work, Alan Warren Friedman explores the rich historical and literary backgrounds of this distinctly Irish phenomenon. He then explains its cultural significance and discusses the major works of both authors, illustrating the diverse ways in which Ireland is enacted. Party Pieces offer...
Irish Folk History
Made of the words of the people who live today in the beautiful, embattled countryside of Ulster, Irish Folk History is, in essence, the people's own statement of their past. In story, song, and spontaneous essay, these texts, selected from Passing the Time in Ballymenone, tell of the coming of Christianity, of endless war, of the hardships and delights of rural life. During a time of trouble, Henry Glassie came into a community of active story-tellers in County Fermanagh in Northern Ireland, and in this book he sets their voices—their chuckles, whispers, and anger—before us. The words of Hugh Nolan, Michael Boyle, of Peter Flanagan, Hugh Patrick Owens, and their neighbors, echo from the page to present a tale that is at once the story of their tiny community and the story of all of Ireland.
Crime, Violence, and the Irish in the Nineteenth Century
A collection of essays, based on original research delivered at one of the Society for the Study of Nineteenth-Century Ireland's recent annual conferences.--Back book cover.
Joyce and the Anglo-Irish
Joyce and the Anglo-Irish is a controversial new reading of the pre-Wake fictions. Joining ranks with a number of recent studies that insist on the importance of historical contexts for understanding James Joyce, Len Platt's account has a particular focus on issues of class and culture. The Joyce that emerges from this radical reappraisal is a Catholic writer who assaults the Protestant makers of Ireland's traditional literary landscape. Far from being indifferent to the Irish Literary Revival, the James Joyce of Platt's book attacks and ridicules these revivalist writers and intellectuals who were claiming to construct the Irisih nation. Examining the aesthetics and politics of revivalist culture, Len Platt's research produces a James Joyce who makes a crucial intervention in the cultural politics of nationalism. The Joyce enterprise thus becomes centrally concerned both with a disposal of the essentialist culture produced by the tradition of Samuel Ferguson, Standish O'Grady and W.B. Yeats, and a redefining of the 'uncreated conscience' of the race.
