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Civilization, 1914-1917 is a largely autobiographical narrative of the Great War written by a remarkable observer--a French physician, poet, and novelist who treated the wounded and performed some two thousand operations in mobile hospital units during the war. First published in 1918 and translated into English the following year, the book was awarded the Prix Goncourt and a special award of the Académie Française. Out of print for ninety years, Georges Duhamel's account is available once more in this Joseph M. Bruccoli Great War Series edition featuring a new introduction by Catharine Savage Brosman, which offers a biographical sketch of Duhamel and places his work within the context of ...
As one of the outstanding minds of France, the career of George Duhamel reflects the universal range of his interests. A physician turned poet, playwright, novelist, publicist, critic, and world traveler, Duhamel for half a century has sought as a liberal humanist to defend the moral and aesthetic values of Western civilization against the encroachment of a dehumanizing machine age. Duhamel first achieved fame as a writer with two eloquent outcries against war in Vie des Martyrs and Civilisation, written while he was a front-line surgeon during World War I. His later plays and novels continued to deal with the search of the individual for identity in contemporary life, especially in the Sala...
The New Book of Martyrs is a military memoir by Georges Duhamel. It portrays the horrors of WWI from the perspective of a military surgeon. Excerpt: "Coughing, spitting, looking about with wide, agonised eyes in search of elusive breath, having no hands to scratch oneself with, being unable to eat unaided, and further, never having the smallest desire to eat—could this be called living? And yet Tricot never gave in. He waged his own war with the divine patience of a man who had waged the great world war, and who knows that victory will not come right away."
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Civilisation 1914-1918" by Georges Duhamel (translated by Thomas P. Conwell-Evans). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Georges Duhamel (1884-1966), was a French author. Between 1906 and 1909 he founded l'Abbaye de Creteil with Charles Vildrac. The group brought together poets, writers, musicians and painters. From 1912, he became an editor of the literary review Mercure de France. He trained as a doctor, and during World War I worked as an army surgeon for four years. This painful experience provided the subject matter for two narratives, Vie des Martyrs (1917) and Civilization (which won him the prix Goncourt in 1918). Once he returned to civilian life, Duhamel dedicated himself to literature. In 1920, he published Confession de Minuit, the first of a series featuring the anti-hero Salavin. He travelled to many conferences in France and abroad, speaking brilliantly of French language and culture as well as promoting the idea of a civilisation built on the human heart rather than technological progress. In 1935, he was elected to the 30th chair at the Academie Francaise. During World War II Duhamel's work was banned by the Germans. After the war, Duhamel was named president of the Alliance Francaise and returned to his public speaking.
The Heart'S Domain by Eleanor Stimson Brooks, first published in 1919, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.