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Spy
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.
Goering's Man in Paris
A charged biography of a notorious Nazi art plunderer and his career in the postwar art world "[Petropoulos] brings Lohse into sharper focus, as a personality and axis point from which to explore a network of art dealers, collectors and museum curators connected to Nazi looting. . . . What emerges from Petropoulos's research is a portrait of a charismatic and nefarious figure who tainted everyone he touched."--Nina Siegal, New York Times "Readers of art history and WWII biographies will appreciate this engrossing deep dive into one of the world's most prolific art looters."--Publishers Weekly Bruno Lohse (1911-2007) was one of the most notorious art plunderers in history. Appointed by Her...
Claude Lorrain
The subject of this publication is a newly discovered album of sixty drawings by the great landscape painter Claude Gellee, called le Lorrain, who was born in Lorraine in the year 1600 and lived his entire adult life in Rome, where he died in 1682. This album, owned by Georges Wildenstein, can only be described in superlatives. It is one of the most remarkable discoveries of our age in the field of the arts. - Introduction.
My Grandfather's Gallery
On 20 September 1940, Paul Rosenberg disembarked in New York, just one of hundreds of tired Jewish refugees fleeing Vichy France. Leaving behind his celebrated Paris gallery, Paul had managed to save his family; his paintings weren't all so fortunate. Some - the Picassos at MoMA's first retrospective - were already safely abroad. But dozens of works by Cézanne, Monet and Sisley were seized by Nazi forces, destined for Swiss galleries and private collections. Drawing on her grandfather's astonishingly intimate correspondence with Picasso, Matisse, Braque and others, Anne Sinclair takes us on a personal journey through the life of a fêted member of the Parisian art scene and a friend to the greatest artists of the century. But Paul's flight from his beloved gallery to exile in New York also tells a darker story, emblematic of the millions of Jews, rich and poor, who lost everything in the Second World War.
Holocaust Justice
"The Holocaust was not only the greatest murder in history; it was also the greatest theft. Historians estimate that the Nazis stole roughly $230 billion to $320 billion in assets (figured in today's dollars) from the Jews of Europe. Since the revelations concerning the wartime activities of the Swiss banks first broke in the late 1990s, an ever-widening circle of complicity and wrongdoing against Jews and other victims has emerged in the course of lawsuits waged by American lawyers." "Holocaust Justice is the first book to tell the complete story of the legal campaign, conducted chiefly on U.S. soil, to address these injustices. Michael J. Bazyler, a legal scholar specializing in human righ...
The J. Paul Getty Museum Journal
The J. Paul Getty Museum Journal 15 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, decorative arts, illuminated manuscripts, paintings, photographs, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 15 includes articles written by Jeffery Spier, Michael Pfrommer, Cornelius C. Vermeule, Maureen Cassidy-Geiger, Robert S. Nelson, Carl Brandon Stehlke, Peter Sutton, John T. Spike, Victor Carlson, Andrew Szegedy-Maszak, and Herbert Keutner.
French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution
This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority during the eighteenth century, these institutions nurtured the talents of artists in all genres. The Met’s collection encompasses stunning examples of work by leading artists of the period, including Antoine Watteau (Mezzetin), Jean Siméon Chardin (The Silver Tureen), François Boucher (The Toilette of Venus), Joseph Siffred Duplessis (Benjamin Franklin), Jean-Baptiste...
Belonging and Betrayal
The old masters' new masters -- Was modernism Jewish? -- In the middle -- To have and have not.
Absorption and Theatricality
With this widely acclaimed work, Michael Fried revised the way in which eighteenth-century French painting and criticism are viewed and understood. Analyzing paintings produced between 1753 and 1781 and the comments of a number of critics who wrote about them, especially Dennis Diderot, Fried discovers a new emphasis in the art of the time, based not on subject matter or style but on values and effects.
The Portraits of Madame de Pompadour
"An immensely eloquent tour de force, demonstrating the complex and often contradictory position of women in both intellectual and visual culture. Goodman examines Pompadour as an icon of court culture who simultaneously represents sexuality and the life of the mind. The paintings are the visual record of a remarkable and self-conscious fashioning of femininity." --Dympna Callaghan, author of Feminist Companion to Shakespeare "Elise goodman's stimulating and richly illustrated study recovers the visual record of women's place in the French Enlightenment. She traces a trend, engineered as much by the women themselves as by the artists who painted them, in which learning joins beauty to create a new iconography of female portraiture." --Susan S Lanser, author of Fictions of Authority: Women Writers and Narrative Voice.
