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The Georgian Poetic
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.
Georgian Poetry 1920-22
"Georgian Poetry 1920-22" is an anthology of poetry that was published during the early 20th century. The term "Georgian poetry" refers to the poetry produced during the reign of King George V of the United Kingdom (1910–1936) and the immediate aftermath. This period is characterized by a resurgence of traditional poetic forms and a focus on nature, emotions, and personal experiences. The anthology "Georgian Poetry 1920-22" features the work of various poets who were active during this time. It includes a diverse range of poetic styles and themes, showcasing the literary landscape of the period. Some of the notable poets who may be included in this anthology are Rupert Brooke, D.H. Lawrence, Walter de la Mare, and John Masefield, among others. The collection provides readers with insights into the cultural and artistic trends of the early 20th century and offers a glimpse into the concerns, anxieties, and aspirations of the time through the lens of poetry.
Georgian Poetry
Georgian Poetry is a compilation of the Georgian Poetry anthologies published by Edward Marsh from 1911-22, edited and with a new introduction by Keith Hale . The Georgians in their day were acclaimed as bold, fresh, and realistic in their use of language. D.H. Lawrence, a contributor to the anthologies, said the first collection was "like a big breath taken when we are waking up after a night of oppressive dreams." Lawrence reviewed the first anthology in John Middleton Murry's Rhythm, proclaiming: "I worship Christ, I worship Jehovah, I worship Pan, I worship Aphrodite. [...] I want them all, all the gods. They are all God. But I must serve in real love. If I take my whole, passionate, spi...
The Georgian Poets
The Georgian movement in literature began as a reaction against late Victorian sensibilities, but world events soon turned this nascent movement upside down, killing two of its most famous members and dispersing the rest amidst a harsher intellectual climate. This introductory study helps to set the Georgians in their original context, and revises the critical balance in favour of three lesser known writers whose contribution to early twentieth-century letters was viewed as significant before the 1930s. The author makes use of archive sources and reviews as wellas recent historicist accounts, bringing these engaging, mysterious and humane writers into focus for the present time.
Georgian Poetry 1911-22
This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set complements the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Georgian Poetry
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Georgian Poetry
* A compilation of the Georgian Poetry anthologies published by Edward Marsh from 1911-22. * Edited and with a new introduction by Keith Hale *The Georgians in their day were acclaimed as bold, fresh, and realistic in their use of language. D.H. Lawrence, a contributor to the anthologies, said the first collection was "like a big breath taken when we are waking up after a night of oppressive dreams." Lawrence reviewed the first anthology in John Middleton Murry's Rhythm, proclaiming: "I worship Christ, I worship Jehovah, I worship Pan, I worship Aphrodite. [...] I want them all, all the gods. They are all God. But I must serve in real love. If I take my whole, passionate, spiritual and physical love to the woman who in return loves me, that is how I serve God. And my hymn and my game of joy is my work. All of which I read in the Anthology of Georgian Poetry." (Please note that this volume has nothing whatsoever to do with the state of Georgia or the country of Georgia.)
Georgian Poetry
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