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Moral Injury and a First World War Chaplain
Chaplain G.A. Studdert Kennedy has been described as the most popular British chaplain of the First World War. Widely known as "Woodbine Willie" for the cigarettes he distributed to the troops, his wartime poetry and prose communicated the challenges, hardships and hopes of the soldiers he served. As a chaplain, he was subject to the same hardships as his soldiers. This book analyses his experiences through the contemporary understanding of psychological, moral and spiritual impact of war on its survivors and suggests that the chaplain suffered from Combat Stress, Moral Injury, and Spiritual Injury. Through the analysis of his wartime and postwar publications, the author illustrates the continuing impact of war on the life of a veteran of the Great War.
Modern Spiritualism and the Church of England, 1850-1939
Shows how some of the ideas about the afterlife presented by spiritualism helped to shape popular Christianity in the period.
Life after Tragedy
Much has been written on the centenary of the First World War. However, no book has yet explored the tragedy of the conflict from a theological perspective. Life after Tragedy fills that gap. Taking their cue from the famous British army chaplain Geoffrey Studdert Kennedy, seven central essays, all by authors associated with the cathedral where Studdert Kennedy first preached to troops, examine aspects of faith that featured in the war, such as the notion of 'home', poetry, theological doctrine, preaching, social reform, humanitarianism, and remembrance. Each essay applies its reflections to the life of faith today, thus representing a highly original contribution to the history of the First World War in general and the work of Studdert Kennedy in particular. They provide wider theological insight into how, in the contemporary world, 'life' and tragedy, likewise God and suffering, can be integrated.This book will accordingly be of considerable interest to historians, both of the war and of the church; to communities commemorating the war; and to all those who wrestle with current challenges to faith.
Women on the Land
Women on the Land tells the remarkable story of women's contribution to agriculture and forestry during the two World Wars. It traces the formation and history of the Women's Land Army, and shows how women, mostly untrained and from non-farming backgrounds, helped maintain food production for a beleaguered nation, by filling the places of men away at the war. At the height of the First World War the Land Army had a full-time membership of 23,000 members, a number that was to exceed 80,000 during the Second World War. The book pays tribute to women like Lady Denman, who administered the Land Army during the Second World War and who was its chief inspiration and driving force, and also outlines the part played by other women's groups in wartime. Containing many first-hand reminiscences by the women who served, and a number of evocative illustrations, Women on the Land highlights the years when women were effectively to challenge long-established preconceptions as to what properly constituted 'women's work'.
Legal Flexibility and the Mission of the Church
Legal scholars and authorities generally agree that the law should be obeyed and should apply equally to all those subject to it, without favour or discrimination. Yet it is possible to see that in any legal system there will be situations when strict application of the law will produce undesirable results, such as injustice or other consequences not intended by the law as framed. In such circumstances the law may be changed but there may be broad policy reasons not to do so. The allied concepts of dispensation and economy grew up in the western and eastern traditions of the Christian church as mechanisms whereby an individual or a class of people could, by authority, be excused from obligat...
My Side of Life
As a lead singer of Westlife, one of the most successful pop acts of all time, Shane Filan was on top of the world. Together with the band he achieved an incredible 14 No.1 singles (a record beaten only by the Beatles), sold 44 million records, and was adored by fans the world over. Everything he touched turned to gold, or so it seemed. Like many others, he had piled his fortunes into the Irish property boom, and when the bubble burst, Shane struggled with mounting debt. Just ten days after Westlife's final farewell concert, in front of a sold-out crowd of 80,000 fans, Shane was declared bankrupt with debts of �18 million--losing everything. But this wasn't the end for Shane Filan--a devoted singer and family man, Shane circled back to his roots and a year later he launched his solo career. In My Side of Life Shane shares his story for the first time--his early years growing up as part of a large Irish family in Co. Sligo, the phenomenal success of Westlife, and the ups and downs of their time together, the breakup of the band, his financial devastation, and finally going it alone as a solo artist. This is Shane's side of the story.
Complete Illustrated Catalogue
"This re-designed and fully updated and expanded edition of the National Portrait Gallery's Complete Illustrated Catalogue is a comprehensive listing of every painting, drawing, miniature, print, photograph and sculpture in the main collection." ... "The culmination of years of research, this exhaustive and authoritative catalogue includes over 10,500 entries, organised alphabetically by sitter and provides the title, date, attribution, media and acquisition details for every work. Portraits of the same subject by different artists and at different times can be compared." "An indispensable reference tool for scholars, researchers, historians and art historians, with over 8,000 illustrations, this catalogue now forms the largest printed survey of British portraiture in existence, a miniature National Portrait Gallery in itself."--Jacket.
Portraits and Poses
Interdisciplinary and cross-cultural view on authority construction among early modern female intellectuals The complex relation between gender and the representation of intellectual authority has deep roots in European history. Portraits and Poses adopts a historical approach to shed new light on this topical subject. It addresses various modes and strategies by which learned women (authors, scientists, jurists, midwifes, painters, and others) sought to negotiate and legitimise their authority at the dawn of modern science in Early Modern and Enlightenment Europe (1600–1800). This volume explores the transnational dimensions of intellectual networks in France, Italy, Britain, the German states and the Low Countries, among others. Drawing on a wide range of case studies from different spheres of professionalisation, it examines both individual and collective constructions of female intellectual authority through word and image. In its innovative combination of an interdisciplinary and transnational approach, this volume contributes to the growing literature on women and intellectual authority in the Early Modern Era and outlines contours for future research.
