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Contemporary French and francophone art
Présente vingt-trois essais consacrés à l'art français et francophone depuis 1980, en proposant une analyse critique d'une cinquantaine d'artistes aussi divers que des écrivains, photographes, peintres.
Making Time
Between March and October of 1968 Picasso produced 347 etchings in varying sizes and techniques. Uncharacteristically, he did very little drawing and almost no painting during that year. He abandoned sculpture altogether. Instead he turened his gaze almost entirely in the direction of the etchings. His concentration on them to the exclusion of other media marks Suite 347 as a particularly condensed site for the construction of meaning. One of the aims of this book is to establish how and under what conditions he contructed that meaning.
Brazilian Art Under Dictatorship
After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language of resistance, outside government-controlled cultural centers or the militant left.
Art History for Comics
This book looks at comics through the lens of Art History, examining the past influence of art-historical methodologies on comics scholarship to scope how they can be applied to Comics Studies in the present and future. It unearths how early comics scholars deployed art-historical approaches, including stylistic analysis, iconography, Cultural History and the social history of art, and proposes how such methodologies, updated in light of disciplinary developments within Art History, could be usefully adopted in the study of comics today. Through a series of indicative case studies of British and American comics like Eagle, The Mighty Thor, 2000AD, Escape and Heartbreak Hotel, it argues that art-historical methods better address overlooked aspects of visual and material form. Bringing Art History back into the interdisciplinary nexus of comics scholarship raises some fundamental questions about the categories, frameworks and values underlying contemporary Comics Studies.
Unburied Memories: The Politics of Bodies of Sacred Defense Martyrs in Iran
Today, almost a generation has passed since the Iran–Iraq war and the memory of it is set to diminish with each passing generation. The following questions emerge. Can we say that the gradual disappearance of war’s memory means that, increasingly, Iranians will see the Iran–Iraq war solely as an historical event? How can we defend or reject this idea? Today, with which elements and values should we look at the Iran–Iraq war memorials and ceremonies? To what extent will war museums and materials culture be influenced by these new values? In the period during and immediately after the Iran–Iraq war (1980-88), national bereavement and commemoration of martyrs was neither apparent in c...
Logics of Disintegration
Over the last two decades, contemporary French philosophy has exercised a powerful influence on intellectual life, across both Europe and America. Post-structuralist strategies and concepts have played an important role in many forms of social, cultural and aesthetic analysis, particularly on the Left. Despite the widespread reception, however, there has still been comparatively little analysis of the basic philosophical assumptions of post-structuralism, or of the compatibility of many of its central tenets with the progressive political orientations with which it is frequently associated. In this book, Peter Dews seeks to remedy this situation by setting post-structuralist thought in relation to another, more explicitly critical, tradition in the philosophical analysis of modernity - that of the Frankfurt School, from Adorno to Habermas. Logics of Disintegration will be of interest to readers across a wide range of disciplines, from literary criticism to social theory, which have felt the impact of post-structuralism - and to anyone who wishes to reach a balanced assessment of one of the most influential intellectual currents of our time.
American Pop Art in France
Pop art was essential to the Americanization of global art in the 1960s, yet it engendered resistance and adaptation abroad in equal measure, especially in Paris. From the end of the Algerian War of Independence and the opening of Ileana Sonnabend’s gallery for American Pop art in Paris in 1962, to the silkscreen poster workshops of May ’68, this book examines critical adaptations of Pop motifs and pictorial devices across French painting, graphic design, cinema and protest aesthetics. Liam Considine argues that the transatlantic dispersion of Pop art gave rise to a new politics of the image that challenged Americanization and prefigured the critiques and contradictions of May ’68.
Pop Impressions Europe/USA
Essay by Wendy Weitman.
