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The Mystification of George Chapman
George Chapman (1559–1634) continues to cut a significant figure as a dramatist and translator of Homer, but his reputation as a poet has fared poorly. The common critical view has made him notorious as a writer of “difficult” poetry, to the point of being considered guilty of deliberate and wanton obscurity. Gerald Snare argues that the fact of the matter is quite the reverse: his supposed difficulty as well as the moral and philosophical imperatives that are assumed to dominate his work are in fact the construction of critics. The Mystification of George Chapman is an argument against the accepted view of Chapman's art. Snare examines Hero and Leander to determine the nature of its p...
The Theatre of Civilized Excess
Jacobean tragedy is typically seen as translating a general dissatisfaction with the first Stuart monarch and his court into acts of calculated recklessness and cynical brutality. Drawing on theoretical influences from social history, psychoanalysis and the study of discourses, this innovative book proposes an alternative perspective: Jacobean tragedy should be seen in the light of the institutional and social concerns of the early modern stage and the ambiguities which they engendered. Although the stage's professionalization opened up hitherto unknown possibilities of economic success and social advancement for its middle-class practitioners, the imaginative, linguistic and material condit...
Renaissance Papers 2003
Essays on Shakespeare, Elizabeth Cary, Erasmus, George Puttenham, William Tyndale, and the Virginia Company, among other topics. Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and the world. Of the ten essays in the 2003 volume, three have to do with Shakespeare; among the topics here are Shakespeare and social uprising in The Merchant of Venice, politics and masculinity in Julius Caesar, and the churching of women in Taming of the Shrew; another essay on Rena...
Solitude and Speechlessness
Recent literary criticism, along with academic culture at large, has stressed collaboration as essential to textual creation and sociability as a literary and academic virtue. Solitude and Speechlessness proposes an alternative understanding of writing with a complementary mode of reading: literary engagement, it suggests, is the meeting of strangers, each in a state of isolation. The Renaissance authors discussed in this study did not necessarily work alone or without collaborators, but they were uncertain who would read their writings and whether those readers would understand them. These concerns are represented in their work through tropes, images, and characterizations of isolation. The...
The Countesse of Pembrokes Arcadia and the Invention of English Literature
Revises the semiotic paradigm of the early modern 'literary system' dominant since 1983 by adapting methods entailed in the idea that literary works emerge through a series of semiotic events. Davis analyzes Philip Sidney's Arcadia and Astrophil and Stella to demonstrate how design elements stage the scene of reading these works.
Exemplary Spenser
Exemplary Spenser analyses the didactic poetics of The Faerie Queene, renewing attention to its avowed attempt to "fashion a gentleman or noble person in vertuous and gentle discipline" and examining how Spenser mobilises his pedagogic concerns through the reading experience of the poem. Grogan's investigation shows how Spenser transacts the public life of the nation heuristically, prompting a reflective reading experience that compels engagement with other readers, other texts and other political communities. Negotiating between competing pedagogical traditions, she shows how Spenser's epic challenges the more conservative prevailing impulses of humanist pedagogy to espouse a radical didact...
English Mythography in Its European Context, 1500-1650
Greco-Roman mythology and its reception are at the heart of the European Renaissance, and mythographies-texts that collected and explained ancient myths-were considered indispensable companions to any reader of literature. Despite the importance of this genre, English mythographies have not gained sustained critical attention, largely because they have been wrongly considered mere copies of their European counterparts. This volume focuses on the English mythographies written between 1577 and 1647 by Stephen Batman, Abraham Fraunce, Francis Bacon, Henry Reynolds, and Alexander Ross: it places their texts into a wider, European context to reveal their unique English take on the genre and also unfolds the significant role myth played in the broader culture of the period, influencing not only literary life, natural philosophy and poetics, but also religious conflicts and Civil War politics. In doing so it demonstrates, for the first time, the considerable explanatory value classical mythology holds for the study of the English Renaissance and its literary culture in particular, and how early modern England answered a question we still find fascinating today: what is myth?
Ovid and the Cultural Politics of Translation in Early Modern England
In Ovid and the Cultural Politics of Early Modern England, Liz Oakley-Brown considers English versions of the Metamorphoses - a poem concerned with translation and transformation on a multiplicity of levels - as important sites of social and historical difference from the fifteenth to the early eighteenth centuries. Through the exploration of a range of canonical and marginal texts, from Shakespeare's Titus Andronicus to women's embroideries of Ovidian myths, Oakley-Brown argues that translation is central to the construction of national and gendered identities.
Spenser's Amoretti
This work analyzes Spenser's setting of the entire Amoretti courtship against a backdrop of sacred time and his efforts to demonstrate the interpenetration of the divine and the human. The eighty-nine sonnets are shown to be sequential in their complex pattern of balanced themes, structural frameworks, developing images, and clusters of etymological wordplay.
The Expansion and Transformations of Courtly Literature
This collection brings together twelve selected papers given at the Second Triennial Congress of the International Courtly Literature Society. Because the courtly ethos is the central phenomenon marking medieval vernacular literature, it provides a theme that serves as an ideological guide through the later Middle Ages and on into the Renaissance and as a framework for the essays collected in this volume.
