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Art Market and Connoisseurship
The question of whether seventeenth-century painters such as Rembrandt and Rubens were exclusively responsible for the paintings later sold under their names has caused many a heated debate. Despite the rise of scholarship on the history of the art market, much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed during this period, which leads to several provocative questions: did contemporary connoisseurs expect masters such as Rembrandt to paint works entirely by their own hand? Who was credited with the ability to assess paintings as genuine? The contributors to this engaging collection—Eric Jan Sluijter, Hans Van Miegroet, and Neil De Marchi, among them—trace these issues through the booming art market of the seventeenth and eighteenth centuries, arriving at fascinating and occasionally unexpected conclusions.
Man Made God
Extraordinary independent scholar of comparative religion and mythology Walker examines a time when the Goddess and her consort/son ruled supreme and forward into the era when the patriarchy usurped Her worship.
Judges Through the Centuries
This bible commentary traces the reception of Judges through the ages, not only by scholars and theologians, but also by preachers, teachers, politicians, poets, essayists and artists. A bible commentary focusing on The Book of Judges, best known for the tale of Samson and Delilah, but full of many other rich and colourful stories. Treats the text story by story, making it accessible to non-specialists, Considers the stories of women in Judges, including Deborah, Jael, who slew Sisera, and Jephthah’s daughter, sacrificed by her father. Traces the reception of Judges through the ages, not only by scholars and theologians, but also by preachers, teachers, politicians, poets, essayists and artists. Illustrates how ideology and the social location of readers have shaped the way the book has been read. Discloses a long history of debate over the roles of women and the use of force, as well as Christian prejudice against Jews and ‘Orientals’. Offers a window onto the use of the Bible in the Western world.
Dutch and Flemish Flower Pieces (2 vols in case)
This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.
Drawn by the Brush
Oil sketches by Peter Paul Rubens—created at speed and in the heat of invention with a colorful loaded brush—convey all the spontaneity of the great Flemish painter’s creative process. This ravishing book draws from both private and public collections to present in full color 40 of Rubens’s oil sketches. Viewers will find in these informal paintings an enchanting intimacy and gain a new appreciation of Rubens’s capacity for invention and improvisation, and of his special genius for dramatic design and coloristic brilliance. The book investigates the role of the oil sketch in Rubens’s work; the development of the artist’s themes and narratives in his multiple sketches; and the history of the appreciation of his oil sketches. It also explores some of the unique aspects of his techniques and materials. By revealing the oil sketches as the most direct record of Rubens’s creative process, the book presents him as the greatest and most fluent practitioner of this vibrant and vital medium.
Jan van Noordt
De Witt offers a detailed biography based on a thorough review of the documentary evidence. He traces Van Noordt's origins back to a prominent musical family, details his artistic development under the guidance of prominent Amsterdam painter Jacob Adriaensz Backer, and reveals his synthesis of the styles of the two dominant Netherlandish artists, Rubens and Rembrandt. Using a systematic analysis of technique, manner, and approach to form, de Witt proves that over half the paintings and drawings presently attributed to Van Noordt are not his work - virtually recasting the accomplishments of an artist whose vibrant, often daring works challenge our concept of seventeenth-century Dutch art.
London and the Emergence of a European Art Market, 1780-1820
Showcasing diverse methodologies, this volume illuminates London's central role in the development of a European art market at the turn of the nineteenth century. In the late 1700s, as the events of the French Revolution roiled France, London displaced Paris as the primary hub of international art sales. Within a few decades, a robust and sophisticated art market flourished in London. London and the Emergence of a European Art Market, 1780–1820 explores the commercial milieu of art sales and collecting at this turning point. In this collection of essays, twenty-two scholars employ methods ranging from traditional art historical and provenance studies to statistical and economic analysis; t...
